"Building-Object addresses the space in between the conventional objects of design and the conventional objects of architecture, probing and reassessing the differences between the disciplines of design history and architectural history Each of the 13 chapters in this book examine things which are neither object-like or building-like, but somewhere in between - air conditioning; bookshelves; partition walls; table-monuments; TVs; convenience stores; cars - exposing particular political configurations and resonances that otherwise might be occluded. In doing so, they reveal that the definitions…mehr
"Building-Object addresses the space in between the conventional objects of design and the conventional objects of architecture, probing and reassessing the differences between the disciplines of design history and architectural history Each of the 13 chapters in this book examine things which are neither object-like or building-like, but somewhere in between - air conditioning; bookshelves; partition walls; table-monuments; TVs; convenience stores; cars - exposing particular political configurations and resonances that otherwise might be occluded. In doing so, they reveal that the definitions we make of objects in opposition to buildings, architecture in opposition to design, are not as fundamental as they seem. This book brings new aspects of the creative and experiential into our understanding of the human environment"--Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Charlotte Ashby is an art and design historian based at Birkbeck, University of London. She is the author of Modernism in Scandinavia (Bloomsbury Visual Arts, 2017) and co-editor of Imagined Cosmopolis: Internationalism and Cultural Exchange, 1870s-1920s (2019). Mark Crinson is Professor of Architectural History at Birkbeck, University of London. Among his books are Modern Architecture and the End of Empire (2003) and Rebuilding Babel: Modern Architecture and Internationalism (I.B. Tauris, 2017).
Inhaltsangabe
Acknowledgments List of Contributors Foreword Adrian Forty (University College London UK) Introduction Mark Crinson and Charlotte Ashby (Birkbeck University of London UK) Part 1: Grey Zones 1. A Good Shelf: The Material Culture of Reading in Colonial India Swati Chattopadhyay (University of California-Santa Barbara USA) 2. Power of Television in Modern Turkish Homes Meltem Ö. Gürel (Yasar University Turkey) 3. Bin Bag Box: The Architecture of Convenience Louisa Iarocci (University of Washington USA) 4. Atmospheric Exchanges: Air-conditioning Thermal Material Culture and Public Housing in Singapore Jiat-Hwee Chang (National University of Singapore) 5. Beyond Buildings and Objects: Reyner Banham's Freeway Ecology Richard J. Williams (University of Edinburgh UK) Part 2: Dissolved Distinctions 6. Designing for a Nocturnal Banquet Versailles 1674 Panagiotis Doudesis (University of Cambridge UK) 7. Printed Objects and Ready-Mades in the Architectural Magazine (1834-38) Anne Hultzsch (ETH Zurich Switzerland) 8. Entangled Histories of Buildings and Furniture: Knoll International and the Production and Mediation of Modern Architecture in Post-war Belgium Fredie Floré (KU Leuven Belgium) 9. Disaster Relief and 'Universal Shelters': Humanitarian Imaginaries and Design Interventions at Oxfam 1971-1976 Tania Messell (University of Applied Sciences and Arts Northwestern Switzerland) and Lilian Sanchez-Moreno (University for the Creative Arts UK) Part 3: Uneasy Difference 10. Regulation by Design: Reification and Building Regulations Alistair Cartwright (Independent Scholar UK) 11. The Relational Object: Haus-Rucker-Co.'s Designs for Re-Shaping the Environment Ross K. Elfline (Carleton College USA) 12. The Stylistic End-games of Modernism: High Tech Design in Criticism and History Jane Pavitt (Kingston University UK) 13. Shared and not Contested: Modern Erasures in Design and Architecture: History Practice and Education in Brazil Livia Rezende (University of New South Wales Australia) and Tatiana Pinto (Independent Scholar Sweden) Afterword Ben Highmore (University of Sussex UK) Index
Acknowledgments List of Contributors Foreword Adrian Forty (University College London UK) Introduction Mark Crinson and Charlotte Ashby (Birkbeck University of London UK) Part 1: Grey Zones 1. A Good Shelf: The Material Culture of Reading in Colonial India Swati Chattopadhyay (University of California-Santa Barbara USA) 2. Power of Television in Modern Turkish Homes Meltem Ö. Gürel (Yasar University Turkey) 3. Bin Bag Box: The Architecture of Convenience Louisa Iarocci (University of Washington USA) 4. Atmospheric Exchanges: Air-conditioning Thermal Material Culture and Public Housing in Singapore Jiat-Hwee Chang (National University of Singapore) 5. Beyond Buildings and Objects: Reyner Banham's Freeway Ecology Richard J. Williams (University of Edinburgh UK) Part 2: Dissolved Distinctions 6. Designing for a Nocturnal Banquet Versailles 1674 Panagiotis Doudesis (University of Cambridge UK) 7. Printed Objects and Ready-Mades in the Architectural Magazine (1834-38) Anne Hultzsch (ETH Zurich Switzerland) 8. Entangled Histories of Buildings and Furniture: Knoll International and the Production and Mediation of Modern Architecture in Post-war Belgium Fredie Floré (KU Leuven Belgium) 9. Disaster Relief and 'Universal Shelters': Humanitarian Imaginaries and Design Interventions at Oxfam 1971-1976 Tania Messell (University of Applied Sciences and Arts Northwestern Switzerland) and Lilian Sanchez-Moreno (University for the Creative Arts UK) Part 3: Uneasy Difference 10. Regulation by Design: Reification and Building Regulations Alistair Cartwright (Independent Scholar UK) 11. The Relational Object: Haus-Rucker-Co.'s Designs for Re-Shaping the Environment Ross K. Elfline (Carleton College USA) 12. The Stylistic End-games of Modernism: High Tech Design in Criticism and History Jane Pavitt (Kingston University UK) 13. Shared and not Contested: Modern Erasures in Design and Architecture: History Practice and Education in Brazil Livia Rezende (University of New South Wales Australia) and Tatiana Pinto (Independent Scholar Sweden) Afterword Ben Highmore (University of Sussex UK) Index
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