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Drawing on extensive archival materials and fifty first-person accounts of former dancers, strip-club owners, booking agents, choreographers, and musicians, Ross reveals stories that are deeply flavoured with an era before "striptease fell from grace because the world stopped dreaming."
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Drawing on extensive archival materials and fifty first-person accounts of former dancers, strip-club owners, booking agents, choreographers, and musicians, Ross reveals stories that are deeply flavoured with an era before "striptease fell from grace because the world stopped dreaming."
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: University of Toronto Press
- Seitenzahl: 368
- Erscheinungstermin: 25. Juli 2009
- Englisch
- Abmessung: 226mm x 152mm x 25mm
- Gewicht: 612g
- ISBN-13: 9780802096463
- ISBN-10: 0802096468
- Artikelnr.: 26816587
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: University of Toronto Press
- Seitenzahl: 368
- Erscheinungstermin: 25. Juli 2009
- Englisch
- Abmessung: 226mm x 152mm x 25mm
- Gewicht: 612g
- ISBN-13: 9780802096463
- ISBN-10: 0802096468
- Artikelnr.: 26816587
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Becki L. Ross is an associate professor in the Department of Sociology and the Chair of the Women's and Gender Studies Program at the University of British Columbia.
Chapter One: Uncloaking the Striptease Past
Early Twentieth Century Burlesque and the Tease Factor
Postwar Contradictions
Vancouver: Terminal City
Postwar Striptease: the Stain of Stigma, Ill-understood Paradoxes, and the
Dearth of Sleuths
Economic Efflorescence: Under the Thumb of Abolitionists
Wilfully Plucky: Negotiating the Stripper Stigma
Bankrolling My Research
Righteous, Angry Canadians Sound Off
Oral Histories Unlock the Vault
Why Me?
Chapter Two: "I Ain't Rebecca, and This Ain't Sunnybrook Farm"
Men Behind the Marquee
Postwar Vancouver Heats Up After Dark
Classic Burlesque at the State Theatre
Fancy Nightclubs in the City's West End
Celebrities Work Their Magic Amidst the Stalactites at the Cave Supper Club
Deluxe Showgirls at Isy's Supper Clubs
The Penthouse Cabaret: The City's Oldest Stationary Funhouse
East End Nightclubs: Smilin' Buddha, New Delhi, Kublai Khan
Shakin' It Up at the Harlem Nocturne
Hotel Explosion in the City and Beyond
Legal Conundrums: Hounded by the Law Post-Decriminalization
Changing Times
Tarred by the Brush of Immorality
Chapter Three: "You Gotta Have a Gimmick": Dancers and Their Acts
Undressing for Success: White American Queens of Striptease Set the Glamour
Bar
Impersonating the Exotic Other
Diversities Abounded Among Locals in the Port City
White Vancouver Dancers Perfect a Gimmick
Racy Acts: Black Stripteasers and the White Imagination
Chinese, Latina, South Asian and First Nations Dancers: More Absent than
Present
Hoochie Coochie Queers Work Terminal City
Playing the Striptease Game
Chapter Four: "Peelers Sell Beer, and the Money Was Huge": The Shifting
Conditions of Work
"Ladies and Genitals, Let's Tickle Your Pickle, Heat Your Meat, and Pop
Your Cork"
Money: Making It and Spending It
Dancers and Their Co-Workers
Dancers' Relationships with Patrons
Traveling the Circuit
Supplementing Striptease Work
Augmenting Marketability
Transition to Poles and Showers on Hotel Stages
Spreading and Split Beavers
A New Era Dawns
Chapter Five: "Everyone Wanted to Date a Dancer, Nobody Wanted to Marry
One": Occupational Hazards in the Industry
Stripper Stigma as Occupational Hazard
Temptations of Drugs and Alcohol
The Toll of Sexual Harassment and Assault
Women Make Waves in Unions Country-Wide
A Small-Scale, Transient Business
Dancers Compete as Freelancers
The Anti-Union Resolve of Club Owners and Booking Agents
Dodging the Law
Uninterested Male-Dominated Unions and Unreceptive Labour Law
Directing Activist Energies Forward
Processes of Downsizing and Deskilling
Dancing in the 1980s: The Me-Generation
Chapter Six: "You Started to Feel Like a Dinosaur": Exiting and Aging in
the Business
The Pleasures and Perils of Risky Business
The Respectability Sweepstakes
Exiting and Aging
Post-1980 Changes in the Business
Repudiations Recur
Striptease Spin-offs Trouble the Whore Stigma
Contemporary Organizing
Olympian Beauty Games
The Steel-Shafted Stiletto: A Museum Artefact in the Offing?
Early Twentieth Century Burlesque and the Tease Factor
Postwar Contradictions
Vancouver: Terminal City
Postwar Striptease: the Stain of Stigma, Ill-understood Paradoxes, and the
Dearth of Sleuths
Economic Efflorescence: Under the Thumb of Abolitionists
Wilfully Plucky: Negotiating the Stripper Stigma
Bankrolling My Research
Righteous, Angry Canadians Sound Off
Oral Histories Unlock the Vault
Why Me?
Chapter Two: "I Ain't Rebecca, and This Ain't Sunnybrook Farm"
Men Behind the Marquee
Postwar Vancouver Heats Up After Dark
Classic Burlesque at the State Theatre
Fancy Nightclubs in the City's West End
Celebrities Work Their Magic Amidst the Stalactites at the Cave Supper Club
Deluxe Showgirls at Isy's Supper Clubs
The Penthouse Cabaret: The City's Oldest Stationary Funhouse
East End Nightclubs: Smilin' Buddha, New Delhi, Kublai Khan
Shakin' It Up at the Harlem Nocturne
Hotel Explosion in the City and Beyond
Legal Conundrums: Hounded by the Law Post-Decriminalization
Changing Times
Tarred by the Brush of Immorality
Chapter Three: "You Gotta Have a Gimmick": Dancers and Their Acts
Undressing for Success: White American Queens of Striptease Set the Glamour
Bar
Impersonating the Exotic Other
Diversities Abounded Among Locals in the Port City
White Vancouver Dancers Perfect a Gimmick
Racy Acts: Black Stripteasers and the White Imagination
Chinese, Latina, South Asian and First Nations Dancers: More Absent than
Present
Hoochie Coochie Queers Work Terminal City
Playing the Striptease Game
Chapter Four: "Peelers Sell Beer, and the Money Was Huge": The Shifting
Conditions of Work
"Ladies and Genitals, Let's Tickle Your Pickle, Heat Your Meat, and Pop
Your Cork"
Money: Making It and Spending It
Dancers and Their Co-Workers
Dancers' Relationships with Patrons
Traveling the Circuit
Supplementing Striptease Work
Augmenting Marketability
Transition to Poles and Showers on Hotel Stages
Spreading and Split Beavers
A New Era Dawns
Chapter Five: "Everyone Wanted to Date a Dancer, Nobody Wanted to Marry
One": Occupational Hazards in the Industry
Stripper Stigma as Occupational Hazard
Temptations of Drugs and Alcohol
The Toll of Sexual Harassment and Assault
Women Make Waves in Unions Country-Wide
A Small-Scale, Transient Business
Dancers Compete as Freelancers
The Anti-Union Resolve of Club Owners and Booking Agents
Dodging the Law
Uninterested Male-Dominated Unions and Unreceptive Labour Law
Directing Activist Energies Forward
Processes of Downsizing and Deskilling
Dancing in the 1980s: The Me-Generation
Chapter Six: "You Started to Feel Like a Dinosaur": Exiting and Aging in
the Business
The Pleasures and Perils of Risky Business
The Respectability Sweepstakes
Exiting and Aging
Post-1980 Changes in the Business
Repudiations Recur
Striptease Spin-offs Trouble the Whore Stigma
Contemporary Organizing
Olympian Beauty Games
The Steel-Shafted Stiletto: A Museum Artefact in the Offing?
Chapter One: Uncloaking the Striptease Past
Early Twentieth Century Burlesque and the Tease Factor
Postwar Contradictions
Vancouver: Terminal City
Postwar Striptease: the Stain of Stigma, Ill-understood Paradoxes, and the
Dearth of Sleuths
Economic Efflorescence: Under the Thumb of Abolitionists
Wilfully Plucky: Negotiating the Stripper Stigma
Bankrolling My Research
Righteous, Angry Canadians Sound Off
Oral Histories Unlock the Vault
Why Me?
Chapter Two: "I Ain't Rebecca, and This Ain't Sunnybrook Farm"
Men Behind the Marquee
Postwar Vancouver Heats Up After Dark
Classic Burlesque at the State Theatre
Fancy Nightclubs in the City's West End
Celebrities Work Their Magic Amidst the Stalactites at the Cave Supper Club
Deluxe Showgirls at Isy's Supper Clubs
The Penthouse Cabaret: The City's Oldest Stationary Funhouse
East End Nightclubs: Smilin' Buddha, New Delhi, Kublai Khan
Shakin' It Up at the Harlem Nocturne
Hotel Explosion in the City and Beyond
Legal Conundrums: Hounded by the Law Post-Decriminalization
Changing Times
Tarred by the Brush of Immorality
Chapter Three: "You Gotta Have a Gimmick": Dancers and Their Acts
Undressing for Success: White American Queens of Striptease Set the Glamour
Bar
Impersonating the Exotic Other
Diversities Abounded Among Locals in the Port City
White Vancouver Dancers Perfect a Gimmick
Racy Acts: Black Stripteasers and the White Imagination
Chinese, Latina, South Asian and First Nations Dancers: More Absent than
Present
Hoochie Coochie Queers Work Terminal City
Playing the Striptease Game
Chapter Four: "Peelers Sell Beer, and the Money Was Huge": The Shifting
Conditions of Work
"Ladies and Genitals, Let's Tickle Your Pickle, Heat Your Meat, and Pop
Your Cork"
Money: Making It and Spending It
Dancers and Their Co-Workers
Dancers' Relationships with Patrons
Traveling the Circuit
Supplementing Striptease Work
Augmenting Marketability
Transition to Poles and Showers on Hotel Stages
Spreading and Split Beavers
A New Era Dawns
Chapter Five: "Everyone Wanted to Date a Dancer, Nobody Wanted to Marry
One": Occupational Hazards in the Industry
Stripper Stigma as Occupational Hazard
Temptations of Drugs and Alcohol
The Toll of Sexual Harassment and Assault
Women Make Waves in Unions Country-Wide
A Small-Scale, Transient Business
Dancers Compete as Freelancers
The Anti-Union Resolve of Club Owners and Booking Agents
Dodging the Law
Uninterested Male-Dominated Unions and Unreceptive Labour Law
Directing Activist Energies Forward
Processes of Downsizing and Deskilling
Dancing in the 1980s: The Me-Generation
Chapter Six: "You Started to Feel Like a Dinosaur": Exiting and Aging in
the Business
The Pleasures and Perils of Risky Business
The Respectability Sweepstakes
Exiting and Aging
Post-1980 Changes in the Business
Repudiations Recur
Striptease Spin-offs Trouble the Whore Stigma
Contemporary Organizing
Olympian Beauty Games
The Steel-Shafted Stiletto: A Museum Artefact in the Offing?
Early Twentieth Century Burlesque and the Tease Factor
Postwar Contradictions
Vancouver: Terminal City
Postwar Striptease: the Stain of Stigma, Ill-understood Paradoxes, and the
Dearth of Sleuths
Economic Efflorescence: Under the Thumb of Abolitionists
Wilfully Plucky: Negotiating the Stripper Stigma
Bankrolling My Research
Righteous, Angry Canadians Sound Off
Oral Histories Unlock the Vault
Why Me?
Chapter Two: "I Ain't Rebecca, and This Ain't Sunnybrook Farm"
Men Behind the Marquee
Postwar Vancouver Heats Up After Dark
Classic Burlesque at the State Theatre
Fancy Nightclubs in the City's West End
Celebrities Work Their Magic Amidst the Stalactites at the Cave Supper Club
Deluxe Showgirls at Isy's Supper Clubs
The Penthouse Cabaret: The City's Oldest Stationary Funhouse
East End Nightclubs: Smilin' Buddha, New Delhi, Kublai Khan
Shakin' It Up at the Harlem Nocturne
Hotel Explosion in the City and Beyond
Legal Conundrums: Hounded by the Law Post-Decriminalization
Changing Times
Tarred by the Brush of Immorality
Chapter Three: "You Gotta Have a Gimmick": Dancers and Their Acts
Undressing for Success: White American Queens of Striptease Set the Glamour
Bar
Impersonating the Exotic Other
Diversities Abounded Among Locals in the Port City
White Vancouver Dancers Perfect a Gimmick
Racy Acts: Black Stripteasers and the White Imagination
Chinese, Latina, South Asian and First Nations Dancers: More Absent than
Present
Hoochie Coochie Queers Work Terminal City
Playing the Striptease Game
Chapter Four: "Peelers Sell Beer, and the Money Was Huge": The Shifting
Conditions of Work
"Ladies and Genitals, Let's Tickle Your Pickle, Heat Your Meat, and Pop
Your Cork"
Money: Making It and Spending It
Dancers and Their Co-Workers
Dancers' Relationships with Patrons
Traveling the Circuit
Supplementing Striptease Work
Augmenting Marketability
Transition to Poles and Showers on Hotel Stages
Spreading and Split Beavers
A New Era Dawns
Chapter Five: "Everyone Wanted to Date a Dancer, Nobody Wanted to Marry
One": Occupational Hazards in the Industry
Stripper Stigma as Occupational Hazard
Temptations of Drugs and Alcohol
The Toll of Sexual Harassment and Assault
Women Make Waves in Unions Country-Wide
A Small-Scale, Transient Business
Dancers Compete as Freelancers
The Anti-Union Resolve of Club Owners and Booking Agents
Dodging the Law
Uninterested Male-Dominated Unions and Unreceptive Labour Law
Directing Activist Energies Forward
Processes of Downsizing and Deskilling
Dancing in the 1980s: The Me-Generation
Chapter Six: "You Started to Feel Like a Dinosaur": Exiting and Aging in
the Business
The Pleasures and Perils of Risky Business
The Respectability Sweepstakes
Exiting and Aging
Post-1980 Changes in the Business
Repudiations Recur
Striptease Spin-offs Trouble the Whore Stigma
Contemporary Organizing
Olympian Beauty Games
The Steel-Shafted Stiletto: A Museum Artefact in the Offing?