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This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed…mehr

Produktbeschreibung
This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!
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Autorenporträt
Abraham Grace Merritt, well known by his byline A. Merritt, was an American Sunday magazine editor and weird fiction author who lived from January 20, 1884, to August 21, 1943. In its fourth class, which included two writers who had passed away and two who were still alive, the Science Fiction and Fantasy Hall of Fame admitted him in 1999. Merritt was one of the highest-paid journalists of his time, earning over $25,000 a year by 1919. A hypochondriac, he talked endlessly about his medical symptoms. Lived in Queens, New York City, and owned thousands of volumes of occult literature. Richard Shaver and H. P. Lovecraft both owed a lot to Merritt. The Ship of Ishtar and Dwellers in the Mirage are listed as two of the 100 Best Books by Michael Moorcock and James Cawthorn. Robert Bloch included Burn Witch Burn on his list of favorite horror novels. "Three Lines of Old French," Merritt's first published fantasy tale, was released in 1917. The Munsey publications thereafter published more short tales and novels in serial form. A few of his stories appeared elsewhere: The Pool of the Stone God (American Weekly, 1923), The Metal Emperor (Science and Invention, 1927), and The Drone Man (Fantasy Magazine, 1934).