The field of performance studies covers all kinds of performance behavior in all contexts. This volume investigates performance behavior in a variety of circumstances and cultures. The contributors consider such issues as the relationship between training and the finished performance; whether performance behavior is universal or culturally specific; and the relationships among ritual and aesthetics, popular entertainment and religion, and sports and theater and dance.
The field of performance studies covers all kinds of performance behavior in all contexts. This volume investigates performance behavior in a variety of circumstances and cultures. The contributors consider such issues as the relationship between training and the finished performance; whether performance behavior is universal or culturally specific; and the relationships among ritual and aesthetics, popular entertainment and religion, and sports and theater and dance.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
List of figures Notes of contributors Introduction 1. Are there universals of performance in myth, ritual, and drama? 2. Magnitudes of performance 3. Liminality: a synthesis of subjective and objective experience 4. The Yaqui deer dance at Pascua Pueblo, Arizona 5. The Yaqui point of view: on Yaqui ceremonies and anthropologies 6. Performance of precepts/precepts of performance: Hasidic celebrations of Purim in Brooklyn 7. The significance of performance for its audience: an analysis of three Sri Lankan rituals 8. What does it mean to 'become the character': power, presence, and transcendence in Asian in-body disciplines of practice 9. Korean shamans: role playing through trance possession 10. The practice of noh theatre 11. The profanation of the sacred in circus clown performances 12. Ethnographic notes on sacred and profane performance 13. The spatial sense of the sacred in Spanish America and the American South and its tie with performance 14. Space and context 15. The transformation of consciousness in ritual performances: some thoughts and questions 16. Universals of performance or amortising play Appendix Bibliography Index.
List of figures Notes of contributors Introduction 1. Are there universals of performance in myth, ritual, and drama? 2. Magnitudes of performance 3. Liminality: a synthesis of subjective and objective experience 4. The Yaqui deer dance at Pascua Pueblo, Arizona 5. The Yaqui point of view: on Yaqui ceremonies and anthropologies 6. Performance of precepts/precepts of performance: Hasidic celebrations of Purim in Brooklyn 7. The significance of performance for its audience: an analysis of three Sri Lankan rituals 8. What does it mean to 'become the character': power, presence, and transcendence in Asian in-body disciplines of practice 9. Korean shamans: role playing through trance possession 10. The practice of noh theatre 11. The profanation of the sacred in circus clown performances 12. Ethnographic notes on sacred and profane performance 13. The spatial sense of the sacred in Spanish America and the American South and its tie with performance 14. Space and context 15. The transformation of consciousness in ritual performances: some thoughts and questions 16. Universals of performance or amortising play Appendix Bibliography Index.
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