Upending traditional Byron criticism to reveal a more relentlessly precise and skeptical poetic mind than ever previously thought, Jerome McGann offers numerous close readings of Byron's verse alongside that of his contemporaries to show how he challenged the limits of poetry and exposed the illusions and contradictions of his age.
Upending traditional Byron criticism to reveal a more relentlessly precise and skeptical poetic mind than ever previously thought, Jerome McGann offers numerous close readings of Byron's verse alongside that of his contemporaries to show how he challenged the limits of poetry and exposed the illusions and contradictions of his age.
Jerome McGann is Professor Emeritus in the Department of English at the University of Virginia. He is the editor of Byron's Complete Poetical Works (seven volumes, 1980-1993) and is one of the leading authorities on Romanticism and its aftermath. This book is a major addition to his influential argument for a 'Literature of Knowledge', which he first outlined in his 1989 Clark Lectures (Trinity College, Cambridge) and Carpenter Lectures (University of Chicago).
Inhaltsangabe
1. Don Juan and the English language 2. Byron Agonistes, 1809-1816 3. Manfred: one word for mercy 4. Byron and the 'Wrong Revolutionary Poetical System' 5. Byron, Blake, and the adversity of poetics 6. The stubborn foe: bad verse and the poetry of action.
1. Don Juan and the English language 2. Byron Agonistes, 1809-1816 3. Manfred: one word for mercy 4. Byron and the 'Wrong Revolutionary Poetical System' 5. Byron, Blake, and the adversity of poetics 6. The stubborn foe: bad verse and the poetry of action.
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