Byzantium/Modernism examines the cross-temporal interchange between Byzantium and modernism and articulates how and why Byzantine art and image theory can contribute to our understanding of modern and contemporary visual culture.
Byzantium/Modernism examines the cross-temporal interchange between Byzantium and modernism and articulates how and why Byzantine art and image theory can contribute to our understanding of modern and contemporary visual culture.
Roland Betancourt, Ph.D. (2014), Yale University, is Assistant Professor of Art History at the University of California, Irvine. He has published articles and essays on the intersection of Byzantine art, liturgy, and image theory, as well as on contemporary media and visual culture. His work and methodology focus on both Byzantine and contemporary discourses on the ontological valences of the image and its temporality. Maria Taroutina, Ph.D. (2013), Yale University, is Assistant Professor of Art History at Yale-NUS College in Singapore. She has published a number of articles and essays on the art and architecture of Imperial and early Soviet Russia and is currently working on the book, From the Tessera to the Square: Russian Modernism and the Russo-Byzantine Revival.
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