From 1840 to 1848, journalist C. M. Haile published a series of mock letters-to-the-editor in the New Orleans Picayune under the pseudonym Pardon Jones. With their rural dialect, outlandish and amusing characters, and farcical situations, the letters proved extremely popular with readers and became a regular feature in the newspaper. C. M. Hailes Pardon Jones Letters collects all of Hailes sixty-seven epistles, highlighting this trove of Old Southwest humor and the prolific writers foremost literary achievement. The humor of the Old Southwest flourished from the 1830s to the end of the Civil War in the sparsely settled frontier regions of Georgia, the Carolinas, Louisiana, and other southern states, with amateur humorists anonymously or pseudonymously publishing pieces written in backwoods vernacular in their local and regional newspapers. Like others in the genre, Hailes Pardon Jones letters gently burlesque the eccentricities, scams, scrapes, and other misadventures of his plain folk characters. Unlike his contemporaries, however, Haile also used his mock epistles to discuss key political issues of the day, imbuing his characters with a liberal voice and an engaging dramatic presence. Piacentinos informative introduction provides a meticulously researched account of Hailes life and career. His annotations identify obscure allusions throughout the book, and a glossary provides help with words and phrases of the dialect and with other unfamiliar references. With his lively Pardon Jones letters, C. M. Haile gave common folk a voice, a privilege rarely afforded to them in earlier American literature.
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