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The Hitting Coach for the New York Yankees, Kevin Long trains power-hitters in the fine art of hitting a baseball well--a talent the legendary Ted Williams once called, "the most difficult skill in sport." In Cage Rat, the man who helps sharpen the mechanics of such superstars as Derek Jeter, Jorge Posada, and Alex Rodriguez shares the expertise he honed over his more than two decades in the game as both player and coach. With an introduction by Alex Rodriguez and an Afterword by Robinson Cano, Cage Rat is an indispensable guide to hitting, filled with practical advice, fascinating…mehr

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Produktbeschreibung
The Hitting Coach for the New York Yankees, Kevin Long trains power-hitters in the fine art of hitting a baseball well--a talent the legendary Ted Williams once called, "the most difficult skill in sport." In Cage Rat, the man who helps sharpen the mechanics of such superstars as Derek Jeter, Jorge Posada, and Alex Rodriguez shares the expertise he honed over his more than two decades in the game as both player and coach. With an introduction by Alex Rodriguez and an Afterword by Robinson Cano, Cage Rat is an indispensable guide to hitting, filled with practical advice, fascinating behind-the-scenes action, and an enduring, inspiring love for the Great American Pastime.
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Autorenporträt
Kevin Long was nominated for The 2015 Tony Award® for Excellence in Theatre Education and is co-author of the book Bring on the Bard. Long is an Associate Professor of Theatre at Harper College, the recipient of the Motorola Solutions Foundation Endowed Award for Teaching Excellence, the Illinois Theatre Association Award for Excellence in College Theatre Teaching, an Associate Member of the Stage Directors and Choreographers Society, President Emeritus of Illinois Theatre Association, and the Past-President of the Illinois Communication and Theatre Association.Additionally, Kevin is a recognized expert in teaching Folio Technique and frequently presents his workshop "Shakespeare Whispers Into Your Ear," which explores the language and theatre of Shakespeare through the use of the First Folio.