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Fiction. Drama. Art. What do a crashed satellite, a string of bizarre murders and a time-warp conspiracy have in common? Welcome to CAIRO, where the future's just a game and you're already dead. "A genre defying anti-novel... Like communism it is the movement of vast majorities unfettered by a state!"-Stewart Home, author of Blood Rites of the Bourgeoisie "Unflinching in its portrayal of human greed."-The Guardian

Produktbeschreibung
Fiction. Drama. Art. What do a crashed satellite, a string of bizarre murders and a time-warp conspiracy have in common? Welcome to CAIRO, where the future's just a game and you're already dead. "A genre defying anti-novel... Like communism it is the movement of vast majorities unfettered by a state!"-Stewart Home, author of Blood Rites of the Bourgeoisie "Unflinching in its portrayal of human greed."-The Guardian
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Autorenporträt
LOUIS ARMAND's critical works include Feasts of Unrule (2024), Entropology (2023), Videology (2015), The Organ-Grinder's Monkey: Culture after the Avantgarde (2013), Event States (2007), Techne (1997) & Incendiary Devices (1993), poetry collections including Infantilisms (2024), Vitus (2022), and Descartes' Dog (2021), & novels including Anizar (2024), Glitchhead (2022), Vampyr (2021), The Garden (2020), Glasshouse (2018), The Combinations (2016) & Clair Obscur (2011). He co-directs the Prague Microfestival & is the director of the Centre for Critical & Cultural Theory, in the Philosophy Faculty of Charles University, Prague. www.louis-armand.com