Widely praised and winner of the PEN/Faulkner Award for Fiction among other mentions, Call Me Zebra follows a feisty heroine's idiosyncratic quest to reclaim her past by mining the wisdom of her literary icons -- even as she navigates the murkier myseteries of love. Named a Best Book by: Entertainment Weekly, Harper's Bazaar, Boston Globe, Fodor's, Fast Company, Refinery29, Nylon, Los Angeles Review of Books, Book Riot, The Millions, Electric Literature, Bitch, Hello Giggles, Literary Hub, Shondaland, Bustle, Brit & Co., Vol. 1 Brooklyn, Read It Forward, Entropy Magazine, Chicago Review of Books, iBooks and Publishers Weekly Zebra is the last in a line of anarchists, atheists, and autodidacts. Alone and in exile, she leaves New York for Barcelona, retracing the journey she and her father made from Iran to the United States years ago. Books are her only companions--until she meets Ludo. Their connection is magnetic, and fraught. They push and pull across the Mediterranean, wondering if their love--or lust--can free Zebra from her past. Starring a heroine as quirky as Don Quixote, as brilliant as Virginia Woolf, as worldly as Miranda July, and as spirited as Lady Bird, Call Me Zebra is "hilarious and poignant, painting a magnetic portrait of a young woman you can't help but want to know more about" (Harper's Bazaar).
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'It's all my blood, this black poison! / I am the sinister mirror / Where the Fury sees herself.' This could also be an ode to the furiously introspective, fiercely literary young narrator of Azareen Van der Vliet Oloomi's second novel, Call Me Zebra. [.] In this ferociously intelligent novel, Van der Vliet Oloomi [.] relays Zebra's brainy, benighted struggles as a tragicomic picaresque whose fervid logic and cerebral whimsy recall the work of Bolaño and Borges. Liesl Schillinger The New York Times Book Review