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"In a shimmering phenomenology of body, spirit, and soul, The Right Hand resides at a tender junction of nerve and bone, 'a nexus: metropolitan.' In her radiant collection, Christina Pugh's astute eye illumninates Maya Lin's lovely river of pins, St. Teresa of Avila with an angel, and wonders such as a 'sea of porphyry.' A mystical cartography of the senses, Pugh's earthbound threshold of the human resonates with our longing for God and the eternal, mapping a basil leaf juxtaposed to a basilica, displaying 'the flash of a neural jewel,' or glowing with 'this notion / of change carved in marble…mehr

Produktbeschreibung
"In a shimmering phenomenology of body, spirit, and soul, The Right Hand resides at a tender junction of nerve and bone, 'a nexus: metropolitan.' In her radiant collection, Christina Pugh's astute eye illumninates Maya Lin's lovely river of pins, St. Teresa of Avila with an angel, and wonders such as a 'sea of porphyry.' A mystical cartography of the senses, Pugh's earthbound threshold of the human resonates with our longing for God and the eternal, mapping a basil leaf juxtaposed to a basilica, displaying 'the flash of a neural jewel,' or glowing with 'this notion / of change carved in marble / unfettering the seam / between watcher / and creator.' " -- Karen An-hwei Le
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Autorenporträt
Rosa Lane, poet and architect, is author of four poetry collections, including Chouteau's Chalk, Tiller North, and Roots and Reckonings. Her work won the 2018 William Matthews Poetry Prize and a Maine Literary Award and is forthcoming or has appeared in the Asheville Poetry Review, Cutthroat, Five Points, Massachusetts Review, Nimrod, Ploughshares, Quarterly West, RHINO Poetry, River Heron Review, Southampton Review, and elsewhere. She holds an MFA from Sarah Lawrence and a PhD in sustainable architecture from the University of California, Berkeley. She splits her time between her native home in coastal Maine and the San Francisco Bay Area where she lives with her wife.