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"When I read Fiorella Terrazas for the first time I felt I was reading the voice of my generation. In her poems I find the pains and hopes of those of us who were born between 1989 and 1996. We, the infamous millennials. We are accused of being made of glass because everything offends us, and we offend. Hyperconnectivity is not the only thing that characterizes us, so does hypersensitivity and both are closely related. FioLoba's poetry is hypersensitive in the rawest sense of the word. She doesn't approach millennials in the cliché way we are used to because she doesn't need to explore it, she…mehr

Produktbeschreibung
"When I read Fiorella Terrazas for the first time I felt I was reading the voice of my generation. In her poems I find the pains and hopes of those of us who were born between 1989 and 1996. We, the infamous millennials. We are accused of being made of glass because everything offends us, and we offend. Hyperconnectivity is not the only thing that characterizes us, so does hypersensitivity and both are closely related. FioLoba's poetry is hypersensitive in the rawest sense of the word. She doesn't approach millennials in the cliché way we are used to because she doesn't need to explore it, she simply unloads it in her verses." - Lucía Carvalho Fiorella Terrazas aka FioLoba (Lima, Peru. 1990) is a queer artist and cultural organizer. FioLoba is a creature of the Internet. Her poems have frequently been adapted to different media beyond paper or screen. Addressing topics as diverse as depression, social media, feminism, the COVID-19 pandemic and political resistance, Cam Girl & Other Poems (2017-2021) is a wide-ranging selection of the best of one of Latin America's most notorious Internet Poets.
Autorenporträt
Fiorella Terrazas Espinoza aka FioLoba (Lima, Peru. 1990) es una intensa poeta queer de género fluido emodark-kawaii post-depresiva transfeminista neurodivergente y comunicadora digital. FioLoba es una criatura del Internet. Su trabajo ha sido publicado en websites, revistas y blogs de poesía en varios países de Latinoamerica. Es une de les editores de Plástico Revista Literaria (revistaplastico.com). y miembra del comité organizador del festival ANTIFIL (antifil.pe). Ha publicado 5 plaquetas de poesía: Dejo cabellos en los bares (2013), Espinosza (2015), Hedores (2017) Los tratados de la perdedora (2017) y (2020). Los poemas de FioLoba se encuentran en la licuadora interseccional del cuerpo, la imagen personal, la política y el género, donde la ética queer y la estética glitch se vuelven a su vez posiciones para una voz poética navegando a través del declive de nuestro futuro tecnológico. Sus poemas han sido adaptados a diferentes medios más allá del papel o la pantalla, usando plataformas como Spotify o live streaming a través de su cuenta de Instagram. Tiene varios gatos. Su color favorito es el rosa y su comida favorita son los cheetos picantes.