The twelve essays in this distinguished collection consider the importance of ancient Greek tragedy as a creative medium. The three main emphases are on tragedy as an institution in the civic life of ancient Greece; on critical interpretations of the texts; and on changing patterns of reception, adaption, and performance from antiquity to present.
The twelve essays in this distinguished collection consider the importance of ancient Greek tragedy as a creative medium. The three main emphases are on tragedy as an institution in the civic life of ancient Greece; on critical interpretations of the texts; and on changing patterns of reception, adaption, and performance from antiquity to present.
List of illustrations List of contributors Preface Plan of the city of Athens Part I. Tragedy as an Institution: The Historical Context: 1. 'Deep plays': theatre as process in Greek civic life Paul Cartledge 2. A show for Dionysus P. E. Easterling 3. The audience of Athenian tragedy Simon Goldhill 4. The pictorial record Oliver Taplin Part II. The Plays: 5. The sociology of Athenian tragedy Edith Hall 6. The language of tragedy: rhetoric and communication Simon Goldhill 7. Form and performance P. E. Easterling 8. Myth into mythos: the shaping of tragic plots Peter Burian Part III. Reception: 9. From repertoire to canon P. E. Easterling 10. Tragedy adapted for stages and screens: the Renaissance to the present Peter Burian 11. Tragedy in performance: nineteenth- and twentieth-century productions Fiona Macintosh 12. Modern critical approaches Simon Goldhill Glossary Chronology Texts, commentaries and translations Works cited Index.
List of illustrations List of contributors Preface Plan of the city of Athens Part I. Tragedy as an Institution: The Historical Context: 1. 'Deep plays': theatre as process in Greek civic life Paul Cartledge 2. A show for Dionysus P. E. Easterling 3. The audience of Athenian tragedy Simon Goldhill 4. The pictorial record Oliver Taplin Part II. The Plays: 5. The sociology of Athenian tragedy Edith Hall 6. The language of tragedy: rhetoric and communication Simon Goldhill 7. Form and performance P. E. Easterling 8. Myth into mythos: the shaping of tragic plots Peter Burian Part III. Reception: 9. From repertoire to canon P. E. Easterling 10. Tragedy adapted for stages and screens: the Renaissance to the present Peter Burian 11. Tragedy in performance: nineteenth- and twentieth-century productions Fiona Macintosh 12. Modern critical approaches Simon Goldhill Glossary Chronology Texts, commentaries and translations Works cited Index.
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