In the years approaching the centenary of Mahler's death, this book offers the only comprehensive, single-volume study in English of his music and musical activities. Contributions from a collection of distinguished Mahler scholars discuss works in all genres and from all periods, and investigate his lifelong career as conductor.
In the years approaching the centenary of Mahler's death, this book offers the only comprehensive, single-volume study in English of his music and musical activities. Contributions from a collection of distinguished Mahler scholars discuss works in all genres and from all periods, and investigate his lifelong career as conductor.
Jeremy Barham is Lecturer in Music in the Department of Music Sound Recording, University of Surrey.
Inhaltsangabe
Chronology: Introduction: Marginalia on Mahler today Jeremy Barham; Part I. Cultural Contexts: 1. Socio-political landscapes: reception and biography Peter Franklin; 2. The literary and philosophical worlds of Gustav Mahler Morten Solvik; 3. Music and aesthetics Vera Micznik; Part II. Mahler the Creative Musician: 4. Juvenilia and early works: from the first song fragments to Das klagende Lied Jeremy Barham; 5. Song and symphony (I). Lieder und Gesänge Vol.1, Lieder eines fahrenden Gesellen and the First Symphony: compositional patterns for the future Zoltan Roman; 6. Song and song-symphony (I). Des Knaben Wunderhorn and the Second, Third and Fourth Symphonies: music of heaven and earth Peter Revers; 7. Song and symphony (II). From Wunderhorn to Rückert and the middle-period symphonies: vocal and instrumental works for a new century Stephen E. Hefling; 8. The 'greatest' and the 'most personal': the Eighth Symphony and Das Lied von der Erde Christian Wildhagen; 9. The last works Jörg Rothkamm; Part III. Mahler the Re-creative Musician: 10. Mahler as conductor in the opera house and concert hall Herta Blaukopf; 11. Arrangements and Retuschen - Mahler and Werktreue David Pickett; Part IV. Reception and Performance: 12. Issues in Mahler reception: historicism and misreadings after 1960 Christoph Metzger; 13. The history of the International Gustav Mahler Society in Vienna and the complete critical edition Reinhold Kubik; 14. Musical languages of love and death: Mahler's compositional legacy Stephen Downes; 15. Mahler conducted and recorded: from the concert hall to DVD Lewis M. Smoley; 16. New research paths in criticism, analysis and interpretation John Williamson; Appendix.
Chronology: Introduction: Marginalia on Mahler today Jeremy Barham; Part I. Cultural Contexts: 1. Socio-political landscapes: reception and biography Peter Franklin; 2. The literary and philosophical worlds of Gustav Mahler Morten Solvik; 3. Music and aesthetics Vera Micznik; Part II. Mahler the Creative Musician: 4. Juvenilia and early works: from the first song fragments to Das klagende Lied Jeremy Barham; 5. Song and symphony (I). Lieder und Gesänge Vol.1, Lieder eines fahrenden Gesellen and the First Symphony: compositional patterns for the future Zoltan Roman; 6. Song and song-symphony (I). Des Knaben Wunderhorn and the Second, Third and Fourth Symphonies: music of heaven and earth Peter Revers; 7. Song and symphony (II). From Wunderhorn to Rückert and the middle-period symphonies: vocal and instrumental works for a new century Stephen E. Hefling; 8. The 'greatest' and the 'most personal': the Eighth Symphony and Das Lied von der Erde Christian Wildhagen; 9. The last works Jörg Rothkamm; Part III. Mahler the Re-creative Musician: 10. Mahler as conductor in the opera house and concert hall Herta Blaukopf; 11. Arrangements and Retuschen - Mahler and Werktreue David Pickett; Part IV. Reception and Performance: 12. Issues in Mahler reception: historicism and misreadings after 1960 Christoph Metzger; 13. The history of the International Gustav Mahler Society in Vienna and the complete critical edition Reinhold Kubik; 14. Musical languages of love and death: Mahler's compositional legacy Stephen Downes; 15. Mahler conducted and recorded: from the concert hall to DVD Lewis M. Smoley; 16. New research paths in criticism, analysis and interpretation John Williamson; Appendix.
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