In Canadian Carnival Freaks and the Extraordinary Body, 1900-1970s, Nicholas offers a sophisticated analysis of the place of the freak show in twentieth-century culture.
In Canadian Carnival Freaks and the Extraordinary Body, 1900-1970s, Nicholas offers a sophisticated analysis of the place of the freak show in twentieth-century culture.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Jane Nicholas is an associate professor in the Department of History and Department of Sexuality, Marriage, and Family Studies at the University of Waterloo.
Inhaltsangabe
List of illustrations Acknowledgements Introduction: Pookie’s Story Chapter 1: Monsters and Freaks: Exhibitionary Culture and the Order of Things Chapter 2: The Carnival State: Protest, Moral Regulation, and Profits Chapter 3: The Carnival Business in Canada: Paternalism, Belonging, and Freak Show Labour Chapter 4: The Twentieth Century Freak Show: Medical Discourse, Normality, and Race Chapter 5: Not Just Child’s Play: Child Freak Show Consumers and Workers Chapter 6: The Spectacularization of Small and Cute: Midget Shows and the Dionne Quintuplets Epilogue: ‘I guess it really is all over’: The End Which is Not One Bibliography
List of illustrations Acknowledgements Introduction: Pookie’s Story Chapter 1: Monsters and Freaks: Exhibitionary Culture and the Order of Things Chapter 2: The Carnival State: Protest, Moral Regulation, and Profits Chapter 3: The Carnival Business in Canada: Paternalism, Belonging, and Freak Show Labour Chapter 4: The Twentieth Century Freak Show: Medical Discourse, Normality, and Race Chapter 5: Not Just Child’s Play: Child Freak Show Consumers and Workers Chapter 6: The Spectacularization of Small and Cute: Midget Shows and the Dionne Quintuplets Epilogue: ‘I guess it really is all over’: The End Which is Not One Bibliography
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