A bold application of the concept of "canonical" works to the development of French operatic and concert life in the eighteenth and nineteenth centuries.
A bold application of the concept of "canonical" works to the development of French operatic and concert life in the eighteenth and nineteenth centuries.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction The Domestic versus the Foreign in Eighteenth-century Paris and London Elements of canon Formation at the Concert Spirituel, by Beverly Wilcox To Praise or to criticize? The evolution of music criticism in eighteenth-century France Haydn in the press during the 1780s: How did a Canon Arise? Parallel canons at the Opéra and the Comédie-Française at the end of the Ancien Régime Negotiating repertory, public demand, and les progrès de la musique at the Paris Opéra, 1815-1830 Tracing the evolution of le vieux répertoire at the Opéra-Comique in the nineteenth century Richard Wagner, concert life, and musical canon in Paris, 1860-1914 An Afterward Bibliography Notes
Introduction The Domestic versus the Foreign in Eighteenth-century Paris and London Elements of canon Formation at the Concert Spirituel, by Beverly Wilcox To Praise or to criticize? The evolution of music criticism in eighteenth-century France Haydn in the press during the 1780s: How did a Canon Arise? Parallel canons at the Opéra and the Comédie-Française at the end of the Ancien Régime Negotiating repertory, public demand, and les progrès de la musique at the Paris Opéra, 1815-1830 Tracing the evolution of le vieux répertoire at the Opéra-Comique in the nineteenth century Richard Wagner, concert life, and musical canon in Paris, 1860-1914 An Afterward Bibliography Notes
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