Canonising Shakespeare
Herausgeber: Depledge, Emma; Kirwan, Peter
Canonising Shakespeare
Herausgeber: Depledge, Emma; Kirwan, Peter
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This book demonstrates how the book trade of 1640-1740 canonised Shakespeare by selling, editing and promoting his plays and poems.
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This book demonstrates how the book trade of 1640-1740 canonised Shakespeare by selling, editing and promoting his plays and poems.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 284
- Erscheinungstermin: 13. Juli 2018
- Englisch
- Abmessung: 235mm x 157mm x 20mm
- Gewicht: 568g
- ISBN-13: 9781107154599
- ISBN-10: 1107154596
- Artikelnr.: 48326588
- Verlag: Cambridge University Press
- Seitenzahl: 284
- Erscheinungstermin: 13. Juli 2018
- Englisch
- Abmessung: 235mm x 157mm x 20mm
- Gewicht: 568g
- ISBN-13: 9781107154599
- ISBN-10: 1107154596
- Artikelnr.: 48326588
1. Introduction Emma Depledge and Peter Kirwan; Part I. Selling
Shakespeare: 2. Shakespeare for sale, 1640-1740 Emma Depledge; 3. Royalist
Shakespeare: publishers, politics and the appropriation of The Rape of
Lucrece (1655) Adam G. Hooks; 4. Henry Herringman, Richard Bentley and
Shakespeare's Fourth Folio (1685) Francis X. Connor; 5. Shakespeare without
rules: the fifth Shakespeare folio and market demand in the early 1700s
Lara Hansen and Eric Rasmussen; 6. The 1734-5 price wars, Antony and
Cleopatra and the theatrical imagination Anthony Brano. Part II.
Consolidating the Shakespeare Canon: 7. Consolidating the Shakespeare
canon, 1640-1740 Peter Kirwan; 8. John Benson's 1640 poems and its literary
precedents Faith Acker; 9. Cupids Cabinet Unlock't (1662), ostensibly 'by
W. Shakespeare', in fact partly by John Milton Lukas Erne; 10. Discovering
Shakespeare's personal style: editing and connoisseurship in the eighteenth
century Edmund G. C. King; Part III. Editing Shakespeare: 11. Editing
Shakespeare, 1640-1740 Emma Depledge and Peter Kirwan; 12. Dramatic
typography and the restoration quartos of Hamlet Claire M. L. Bourne; 13.
The 1709/11 editions of Shakespeare's poems Paul D. Cannan; 14. Alexander
Pope, interventionist editing and The Taming of the Shrew (1725) Jonathan
H. Holmes; 15. Editorial annotations in Shakespeare editions after 1733
Adam Rounce; 16. Afterword Patrick Cheney.
Shakespeare: 2. Shakespeare for sale, 1640-1740 Emma Depledge; 3. Royalist
Shakespeare: publishers, politics and the appropriation of The Rape of
Lucrece (1655) Adam G. Hooks; 4. Henry Herringman, Richard Bentley and
Shakespeare's Fourth Folio (1685) Francis X. Connor; 5. Shakespeare without
rules: the fifth Shakespeare folio and market demand in the early 1700s
Lara Hansen and Eric Rasmussen; 6. The 1734-5 price wars, Antony and
Cleopatra and the theatrical imagination Anthony Brano. Part II.
Consolidating the Shakespeare Canon: 7. Consolidating the Shakespeare
canon, 1640-1740 Peter Kirwan; 8. John Benson's 1640 poems and its literary
precedents Faith Acker; 9. Cupids Cabinet Unlock't (1662), ostensibly 'by
W. Shakespeare', in fact partly by John Milton Lukas Erne; 10. Discovering
Shakespeare's personal style: editing and connoisseurship in the eighteenth
century Edmund G. C. King; Part III. Editing Shakespeare: 11. Editing
Shakespeare, 1640-1740 Emma Depledge and Peter Kirwan; 12. Dramatic
typography and the restoration quartos of Hamlet Claire M. L. Bourne; 13.
The 1709/11 editions of Shakespeare's poems Paul D. Cannan; 14. Alexander
Pope, interventionist editing and The Taming of the Shrew (1725) Jonathan
H. Holmes; 15. Editorial annotations in Shakespeare editions after 1733
Adam Rounce; 16. Afterword Patrick Cheney.
1. Introduction Emma Depledge and Peter Kirwan; Part I. Selling
Shakespeare: 2. Shakespeare for sale, 1640-1740 Emma Depledge; 3. Royalist
Shakespeare: publishers, politics and the appropriation of The Rape of
Lucrece (1655) Adam G. Hooks; 4. Henry Herringman, Richard Bentley and
Shakespeare's Fourth Folio (1685) Francis X. Connor; 5. Shakespeare without
rules: the fifth Shakespeare folio and market demand in the early 1700s
Lara Hansen and Eric Rasmussen; 6. The 1734-5 price wars, Antony and
Cleopatra and the theatrical imagination Anthony Brano. Part II.
Consolidating the Shakespeare Canon: 7. Consolidating the Shakespeare
canon, 1640-1740 Peter Kirwan; 8. John Benson's 1640 poems and its literary
precedents Faith Acker; 9. Cupids Cabinet Unlock't (1662), ostensibly 'by
W. Shakespeare', in fact partly by John Milton Lukas Erne; 10. Discovering
Shakespeare's personal style: editing and connoisseurship in the eighteenth
century Edmund G. C. King; Part III. Editing Shakespeare: 11. Editing
Shakespeare, 1640-1740 Emma Depledge and Peter Kirwan; 12. Dramatic
typography and the restoration quartos of Hamlet Claire M. L. Bourne; 13.
The 1709/11 editions of Shakespeare's poems Paul D. Cannan; 14. Alexander
Pope, interventionist editing and The Taming of the Shrew (1725) Jonathan
H. Holmes; 15. Editorial annotations in Shakespeare editions after 1733
Adam Rounce; 16. Afterword Patrick Cheney.
Shakespeare: 2. Shakespeare for sale, 1640-1740 Emma Depledge; 3. Royalist
Shakespeare: publishers, politics and the appropriation of The Rape of
Lucrece (1655) Adam G. Hooks; 4. Henry Herringman, Richard Bentley and
Shakespeare's Fourth Folio (1685) Francis X. Connor; 5. Shakespeare without
rules: the fifth Shakespeare folio and market demand in the early 1700s
Lara Hansen and Eric Rasmussen; 6. The 1734-5 price wars, Antony and
Cleopatra and the theatrical imagination Anthony Brano. Part II.
Consolidating the Shakespeare Canon: 7. Consolidating the Shakespeare
canon, 1640-1740 Peter Kirwan; 8. John Benson's 1640 poems and its literary
precedents Faith Acker; 9. Cupids Cabinet Unlock't (1662), ostensibly 'by
W. Shakespeare', in fact partly by John Milton Lukas Erne; 10. Discovering
Shakespeare's personal style: editing and connoisseurship in the eighteenth
century Edmund G. C. King; Part III. Editing Shakespeare: 11. Editing
Shakespeare, 1640-1740 Emma Depledge and Peter Kirwan; 12. Dramatic
typography and the restoration quartos of Hamlet Claire M. L. Bourne; 13.
The 1709/11 editions of Shakespeare's poems Paul D. Cannan; 14. Alexander
Pope, interventionist editing and The Taming of the Shrew (1725) Jonathan
H. Holmes; 15. Editorial annotations in Shakespeare editions after 1733
Adam Rounce; 16. Afterword Patrick Cheney.