An invaluable resource and an absorbing read, Canuck Rock spans from the emergence of rock and roll in the 1950s through to today's international recording industry.
An invaluable resource and an absorbing read, Canuck Rock spans from the emergence of rock and roll in the 1950s through to today's international recording industry.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Ryan Edwardson is a Canadian music fan with a PhD in History from Queen's University.
Inhaltsangabe
Introduction - Canadian Music and the Unruly Question of National Identity Lonely Boys and Wild Girls: Rock and Roll in Canada in the 1950s Guess Who?: Beatlemania and the Race to be British, 1963-66 From 'Tom Dooley' to 'Mon Pays': Commercialism and Nationalization in Folk Music Caliornia Dreamin': Why Canadian Musicians were not 'Helpless' in the United States, 1965-70 Turn on, Tun in, and Drop Out': Psychedelic Music and How a Band from the Pairies was Saved by its Wheatfield Soul, 1966-70 Legislated Radio': Industry, Identity, and the Push for Canadian Content, 1965-71 Oh What a Feeling': Canadian Content and Identity Politics in the 1970s And the Juno Goes To...': Television and the Selling of 'Canadian' Music Takin' Care of Business': The Multinational Underwriting of the Canadian Music Industry, 1970-2006 Everything I Do (I Do It For Me)': Bryan Adams and the Waking Up the Neightbours Controversy Conclusion - From 'Music in Canada' to 'Canadian Music' Bibliography
Introduction - Canadian Music and the Unruly Question of National Identity Lonely Boys and Wild Girls: Rock and Roll in Canada in the 1950s Guess Who?: Beatlemania and the Race to be British, 1963-66 From 'Tom Dooley' to 'Mon Pays': Commercialism and Nationalization in Folk Music Caliornia Dreamin': Why Canadian Musicians were not 'Helpless' in the United States, 1965-70 Turn on, Tun in, and Drop Out': Psychedelic Music and How a Band from the Pairies was Saved by its Wheatfield Soul, 1966-70 Legislated Radio': Industry, Identity, and the Push for Canadian Content, 1965-71 Oh What a Feeling': Canadian Content and Identity Politics in the 1970s And the Juno Goes To...': Television and the Selling of 'Canadian' Music Takin' Care of Business': The Multinational Underwriting of the Canadian Music Industry, 1970-2006 Everything I Do (I Do It For Me)': Bryan Adams and the Waking Up the Neightbours Controversy Conclusion - From 'Music in Canada' to 'Canadian Music' Bibliography
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