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(Piano Solo). In the virtuosic Capriccio op. 71, composed in 1992, Kapustin returns to twelve-tone compositional techniques. Suitable for pianists looking for repertoire between modernity and jazz that sound like highly skilled but well-composed improvisation.

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(Piano Solo). In the virtuosic Capriccio op. 71, composed in 1992, Kapustin returns to twelve-tone compositional techniques. Suitable for pianists looking for repertoire between modernity and jazz that sound like highly skilled but well-composed improvisation.
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