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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Henry Sydnor Harrison (1880–1930) was an American novelist of the early 20th century, whose work offers a social commentary on the values and mores of his time. Harrison was born in Sewanee, Tennessee, and was known for his sharp wit and observant nature, qualities which permeated his literary output. He achieved fame through his novel 'Queed' (1911), a story that traces the social awakening of a young, self-absorbed scholar. Following 'Queed,' Harrison published 'V. V.'s Eyes' (1913), a nuanced examination of the interactions between socio-economic classes, and 'Angela's Business' (1915), which critically addressed issues of women's independence and identity in society. His signature style involved a blend of social realism and psychological insight, which he used to explore themes like personal growth, social responsibility, and the pursuit of happiness in the face of societal constraints. 'Captivating Mary Carstairs' (1911) further showcases his ability to create vibrant, multifaceted characters who must navigate both personal challenges and societal expectations. Though not as well remembered today as some of his contemporaries, Harrison's novels contributed to the discourse of American realism, reflecting both the culture and conflicts of his time. His work remains a valuable resource for scholars interested in early 20th-century American literature and culture.
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