A study and edition of one of the most ignored works of early Spanish literature because of its strong sexual content, this work examines the social ideology that conditioned the reactions of people to the events it describes as well as Fernando de Rojas's masterpiece, Celestina.
A study and edition of one of the most ignored works of early Spanish literature because of its strong sexual content, this work examines the social ideology that conditioned the reactions of people to the events it describes as well as Fernando de Rojas's masterpiece, Celestina.
Preface Part I: Las Trezientas and Carajicomedia The Model and the Parody: Las Trezientas and Carajicomedia Authorship and Setting: The Fictional Narrators and the Real Author(s) Part II: Cultural Ideology: Gender Roles Women and Power: El Laberinto de Fortuna's Divina Providencia and Carajicomedia's María de Vellasco Men and Power: El Laberinto de Fortuna's Juan II and Carajicomedia's Diego Fajardo Part III: Political Satire and Ideology Carajicomedia's Satire of Individuals Propaganda and Its Uses Conclusion: The Purpose and Fate of Carajicomedia Part IV: A Paleographic Edition and Translation of Carajicomedia Appendix A: Carajicomedia: A Modern Spanish Edition Appendix B: The Erotic Language of Carajicomedia Bibliography Index
Preface Part I: Las Trezientas and Carajicomedia The Model and the Parody: Las Trezientas and Carajicomedia Authorship and Setting: The Fictional Narrators and the Real Author(s) Part II: Cultural Ideology: Gender Roles Women and Power: El Laberinto de Fortuna's Divina Providencia and Carajicomedia's María de Vellasco Men and Power: El Laberinto de Fortuna's Juan II and Carajicomedia's Diego Fajardo Part III: Political Satire and Ideology Carajicomedia's Satire of Individuals Propaganda and Its Uses Conclusion: The Purpose and Fate of Carajicomedia Part IV: A Paleographic Edition and Translation of Carajicomedia Appendix A: Carajicomedia: A Modern Spanish Edition Appendix B: The Erotic Language of Carajicomedia Bibliography Index
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