Care Ethics and Art
Herausgeber: Coombs, Gretchen; Millner, Jacqueline
Care Ethics and Art
Herausgeber: Coombs, Gretchen; Millner, Jacqueline
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What would it mean to substitute care for economics as the central concern of politics? This anthology invites analysis, reflections and speculations on how contemporary artists and creative practitioners engage with, interpret, and enact care in practices which might forge an alternative ethics in the age of neoliberalism.
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What would it mean to substitute care for economics as the central concern of politics? This anthology invites analysis, reflections and speculations on how contemporary artists and creative practitioners engage with, interpret, and enact care in practices which might forge an alternative ethics in the age of neoliberalism.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 318
- Erscheinungstermin: 27. Mai 2024
- Englisch
- Abmessung: 234mm x 156mm x 17mm
- Gewicht: 550g
- ISBN-13: 9780367765644
- ISBN-10: 0367765640
- Artikelnr.: 70343716
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 318
- Erscheinungstermin: 27. Mai 2024
- Englisch
- Abmessung: 234mm x 156mm x 17mm
- Gewicht: 550g
- ISBN-13: 9780367765644
- ISBN-10: 0367765640
- Artikelnr.: 70343716
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
Jacqueline Millner is Associate Professor of Visual Arts at La Trobe University, Australia. Her books include Conceptual Beauty (2010), Fashionable Art (with A.Geczy, 2015), Feminist Perspectives on Art: Contemporary Outtakes, (co-edited with Catriona Moore, 2018) and Contemporary Art and Feminism (with Catriona Moore, 2021). She has co-curated major exhibitions and public programs including Curating Feminism (2014), Future Feminist Archive (2015) and Femflix (2016). Gretchen Coombs is a Post-Doctoral Fellow in the Design and Creative Practice Enabling Capability Platform at RMIT, Australia. She is a co-author of Creative Practice Ethnographies (2019) and author of The Lure of the Social: Encounters with Contemporary Artists (2021).
Introduction; Part 1: Caring relations: collaborating, parenting ; Chapter
1 Care, interrelatedness and creative practices: The Care Project
(2018-2022): Jacqueline Millner; Chapter 2 Creative care: modelling caring
practices through artistic collaborations in neurodiverse and
palliative-care contexts: Catherine Bell; Chapter 3 Improvising caring:
Catherine Ryan; Chapter 4 Mental illness, care and the bad mother: Sylvia
Griffin; Chapter 5 Soiling the white cube: artist parent experiences: Nina
Ross, Lizzie Sampson and Jessie Scott; Part 2: Care and materiality:
bodies, craft, textiles; Chapter 6 Mattering bodies in a mattering world:
Katie Lee; Chapter 7 Remaining alert to an ethos of care: the
responsiveness of artistic process: Kylie Banyard; Chapter 8 The migrant
material: Azza Zein; Chapter 9 Threads of Resistance: feminist activism,
collaborative making and care ethics: Rachael Haynes; Chapter 10 Care
through craft: making in defence of Human Rights: Tal Fitzpatrick and
Stephanie Dunlap; Part 3: Care: value, work, institution; Chapter 11 Sex
work, care work and art work in Sidsel Meineche Hansen and Therese
Henningsen's Maintenancer (2018): Benison Kilby; Chapter 12 Care-full
reading: towards a speculative practice of study in the university: Andrew
Goodman; Chapter 13 Alleviating anxiety: care in action during the
pandemic: Rebecca Mayo; Chapter 14 Working in the Trouble and Jane
Bennett's Middle Ground: animating creative projects in the Australian
Anthropocene: Elizabeth Day; Chapter 15 FAVOURECONOMY: sharing alternative
value in the arts: Stella Chen and Claire Field; Chapter 16 Caring about
the vast non-existent horizon: cosmographic infrastructures and
performances of care in twenty-first century feminist art practice: Nancy
Mauro-Flude; Part 4: Artist pages; Chapter 17 Sam Bews, Elements (The
Language of My Mother, Second Iteration), 2021; Rebekah Pryor, Saltcellars
, 2017; Ebony Muller, CARE DANCE, 2017-2020; Luisa Bufardeci, Tacking,
2019-ongoing; Linda Judge, Mum, 2019; Part 5: Care and earth: doting,
healing, advocating; Chapter 18 Patch/work, re/pair: a braided dialogue on
breakage, fires, and the labours of care: Deb Cleland and Zsuzsi Soboslay;
Chapter 19 Capturing the air: care in the field of measurement: Jessie
Boylan; Chapter 20 Stand your ground: global solidarity through creative
care Caroline Phillips; Chapter 21 A manifesto of care: Keely Macarow
1 Care, interrelatedness and creative practices: The Care Project
(2018-2022): Jacqueline Millner; Chapter 2 Creative care: modelling caring
practices through artistic collaborations in neurodiverse and
palliative-care contexts: Catherine Bell; Chapter 3 Improvising caring:
Catherine Ryan; Chapter 4 Mental illness, care and the bad mother: Sylvia
Griffin; Chapter 5 Soiling the white cube: artist parent experiences: Nina
Ross, Lizzie Sampson and Jessie Scott; Part 2: Care and materiality:
bodies, craft, textiles; Chapter 6 Mattering bodies in a mattering world:
Katie Lee; Chapter 7 Remaining alert to an ethos of care: the
responsiveness of artistic process: Kylie Banyard; Chapter 8 The migrant
material: Azza Zein; Chapter 9 Threads of Resistance: feminist activism,
collaborative making and care ethics: Rachael Haynes; Chapter 10 Care
through craft: making in defence of Human Rights: Tal Fitzpatrick and
Stephanie Dunlap; Part 3: Care: value, work, institution; Chapter 11 Sex
work, care work and art work in Sidsel Meineche Hansen and Therese
Henningsen's Maintenancer (2018): Benison Kilby; Chapter 12 Care-full
reading: towards a speculative practice of study in the university: Andrew
Goodman; Chapter 13 Alleviating anxiety: care in action during the
pandemic: Rebecca Mayo; Chapter 14 Working in the Trouble and Jane
Bennett's Middle Ground: animating creative projects in the Australian
Anthropocene: Elizabeth Day; Chapter 15 FAVOURECONOMY: sharing alternative
value in the arts: Stella Chen and Claire Field; Chapter 16 Caring about
the vast non-existent horizon: cosmographic infrastructures and
performances of care in twenty-first century feminist art practice: Nancy
Mauro-Flude; Part 4: Artist pages; Chapter 17 Sam Bews, Elements (The
Language of My Mother, Second Iteration), 2021; Rebekah Pryor, Saltcellars
, 2017; Ebony Muller, CARE DANCE, 2017-2020; Luisa Bufardeci, Tacking,
2019-ongoing; Linda Judge, Mum, 2019; Part 5: Care and earth: doting,
healing, advocating; Chapter 18 Patch/work, re/pair: a braided dialogue on
breakage, fires, and the labours of care: Deb Cleland and Zsuzsi Soboslay;
Chapter 19 Capturing the air: care in the field of measurement: Jessie
Boylan; Chapter 20 Stand your ground: global solidarity through creative
care Caroline Phillips; Chapter 21 A manifesto of care: Keely Macarow
Introduction; Part 1: Caring relations: collaborating, parenting ; Chapter
1 Care, interrelatedness and creative practices: The Care Project
(2018-2022): Jacqueline Millner; Chapter 2 Creative care: modelling caring
practices through artistic collaborations in neurodiverse and
palliative-care contexts: Catherine Bell; Chapter 3 Improvising caring:
Catherine Ryan; Chapter 4 Mental illness, care and the bad mother: Sylvia
Griffin; Chapter 5 Soiling the white cube: artist parent experiences: Nina
Ross, Lizzie Sampson and Jessie Scott; Part 2: Care and materiality:
bodies, craft, textiles; Chapter 6 Mattering bodies in a mattering world:
Katie Lee; Chapter 7 Remaining alert to an ethos of care: the
responsiveness of artistic process: Kylie Banyard; Chapter 8 The migrant
material: Azza Zein; Chapter 9 Threads of Resistance: feminist activism,
collaborative making and care ethics: Rachael Haynes; Chapter 10 Care
through craft: making in defence of Human Rights: Tal Fitzpatrick and
Stephanie Dunlap; Part 3: Care: value, work, institution; Chapter 11 Sex
work, care work and art work in Sidsel Meineche Hansen and Therese
Henningsen's Maintenancer (2018): Benison Kilby; Chapter 12 Care-full
reading: towards a speculative practice of study in the university: Andrew
Goodman; Chapter 13 Alleviating anxiety: care in action during the
pandemic: Rebecca Mayo; Chapter 14 Working in the Trouble and Jane
Bennett's Middle Ground: animating creative projects in the Australian
Anthropocene: Elizabeth Day; Chapter 15 FAVOURECONOMY: sharing alternative
value in the arts: Stella Chen and Claire Field; Chapter 16 Caring about
the vast non-existent horizon: cosmographic infrastructures and
performances of care in twenty-first century feminist art practice: Nancy
Mauro-Flude; Part 4: Artist pages; Chapter 17 Sam Bews, Elements (The
Language of My Mother, Second Iteration), 2021; Rebekah Pryor, Saltcellars
, 2017; Ebony Muller, CARE DANCE, 2017-2020; Luisa Bufardeci, Tacking,
2019-ongoing; Linda Judge, Mum, 2019; Part 5: Care and earth: doting,
healing, advocating; Chapter 18 Patch/work, re/pair: a braided dialogue on
breakage, fires, and the labours of care: Deb Cleland and Zsuzsi Soboslay;
Chapter 19 Capturing the air: care in the field of measurement: Jessie
Boylan; Chapter 20 Stand your ground: global solidarity through creative
care Caroline Phillips; Chapter 21 A manifesto of care: Keely Macarow
1 Care, interrelatedness and creative practices: The Care Project
(2018-2022): Jacqueline Millner; Chapter 2 Creative care: modelling caring
practices through artistic collaborations in neurodiverse and
palliative-care contexts: Catherine Bell; Chapter 3 Improvising caring:
Catherine Ryan; Chapter 4 Mental illness, care and the bad mother: Sylvia
Griffin; Chapter 5 Soiling the white cube: artist parent experiences: Nina
Ross, Lizzie Sampson and Jessie Scott; Part 2: Care and materiality:
bodies, craft, textiles; Chapter 6 Mattering bodies in a mattering world:
Katie Lee; Chapter 7 Remaining alert to an ethos of care: the
responsiveness of artistic process: Kylie Banyard; Chapter 8 The migrant
material: Azza Zein; Chapter 9 Threads of Resistance: feminist activism,
collaborative making and care ethics: Rachael Haynes; Chapter 10 Care
through craft: making in defence of Human Rights: Tal Fitzpatrick and
Stephanie Dunlap; Part 3: Care: value, work, institution; Chapter 11 Sex
work, care work and art work in Sidsel Meineche Hansen and Therese
Henningsen's Maintenancer (2018): Benison Kilby; Chapter 12 Care-full
reading: towards a speculative practice of study in the university: Andrew
Goodman; Chapter 13 Alleviating anxiety: care in action during the
pandemic: Rebecca Mayo; Chapter 14 Working in the Trouble and Jane
Bennett's Middle Ground: animating creative projects in the Australian
Anthropocene: Elizabeth Day; Chapter 15 FAVOURECONOMY: sharing alternative
value in the arts: Stella Chen and Claire Field; Chapter 16 Caring about
the vast non-existent horizon: cosmographic infrastructures and
performances of care in twenty-first century feminist art practice: Nancy
Mauro-Flude; Part 4: Artist pages; Chapter 17 Sam Bews, Elements (The
Language of My Mother, Second Iteration), 2021; Rebekah Pryor, Saltcellars
, 2017; Ebony Muller, CARE DANCE, 2017-2020; Luisa Bufardeci, Tacking,
2019-ongoing; Linda Judge, Mum, 2019; Part 5: Care and earth: doting,
healing, advocating; Chapter 18 Patch/work, re/pair: a braided dialogue on
breakage, fires, and the labours of care: Deb Cleland and Zsuzsi Soboslay;
Chapter 19 Capturing the air: care in the field of measurement: Jessie
Boylan; Chapter 20 Stand your ground: global solidarity through creative
care Caroline Phillips; Chapter 21 A manifesto of care: Keely Macarow