A transnational history of the performance, reception, translation, adaptation and appropriation of Bizet's Carmen from 1875 to 1945. This volume explores how Bizet's opera swiftly travelled the globe, and how the story, the music, the staging and the singers appealed to audiences in diverse contexts.
A transnational history of the performance, reception, translation, adaptation and appropriation of Bizet's Carmen from 1875 to 1945. This volume explores how Bizet's opera swiftly travelled the globe, and how the story, the music, the staging and the singers appealed to audiences in diverse contexts.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
List of figures; List of tables; List of contributors; Foreword and acknowledgements; Part I. Establishment in Paris and the repertoire: 1. Carmen at home and abroad Clair Rowden and Richard Langham Smith; 2. Carmen's second chance: revival in Vienna Laura Moeckli; 3. Carmen faces Paris and the provinces Clair Rowden; 4. Carmen dusted down: Albert Carré's 1898 revival at the Opéra-Comique Michela Niccolai; 5. Refashioning Carmen at the Théâtre de La Monnaie, 1902 Bruno Forment; 6. How Carmen became a repertory opera in Italy and in Italian Matthew Franke; Part II. Across frontiers: 7. A new performance for a new world: Carmen in America Kristen M. Turner; 8. The unstoppable march of time: Carmen, and New Orleans in transition Charlotte Bentley; 9. The return of the habanera: Carmen's early reception in Latin America José Manuel Izquierdo, Jaime Cortés-Polanía and Juan Francisco Sans; 10. From Spain to Lusophone lands: Carmen in Portugal and Brazil David Cranmer; 11. Carmen in the antipodes Kerry Murphy; 12. Carmen, as seen and heard in Victorian Britain Paul Rodmell; 13. Celtic Carmens: rebellion and redemption Linda J. Buckley and Jennifer Millar; 14. Carmen for the Czechs and Germans, 1880 to 1945 Martin Nedbal; 15. Carmen in Poland prior to 1918 Renata Suchowiejko; 16. A woman or a demon: Carmen in the late nineteenth-century Nordic countries Ulla-Britta Broman-Kananen; Part III. Localising Carmen: 17. Russian Carmens and 'Carmenism': from Imperial import to ideological benchmark Michelle Assay; 18. The other reversed? Japan's assimilation of Carmen between 1885 and 1945 Naomi Matsumoto; 19. Flamenco and the 'hispanicisation' of Bizet's Carmen in the Belle Époque Michael Christoforidis and Elizabeth Kertesz; 20. Carmen at home: between Andalusia and the Basque Provinces (1845-1936) Lola San Martín Arbide; 21. Carmen in the midi amphitheatres: a 'tauro-comique' spectacle Sabine Teulon Lardic; Selected Bibliography.
List of figures; List of tables; List of contributors; Foreword and acknowledgements; Part I. Establishment in Paris and the repertoire: 1. Carmen at home and abroad Clair Rowden and Richard Langham Smith; 2. Carmen's second chance: revival in Vienna Laura Moeckli; 3. Carmen faces Paris and the provinces Clair Rowden; 4. Carmen dusted down: Albert Carré's 1898 revival at the Opéra-Comique Michela Niccolai; 5. Refashioning Carmen at the Théâtre de La Monnaie, 1902 Bruno Forment; 6. How Carmen became a repertory opera in Italy and in Italian Matthew Franke; Part II. Across frontiers: 7. A new performance for a new world: Carmen in America Kristen M. Turner; 8. The unstoppable march of time: Carmen, and New Orleans in transition Charlotte Bentley; 9. The return of the habanera: Carmen's early reception in Latin America José Manuel Izquierdo, Jaime Cortés-Polanía and Juan Francisco Sans; 10. From Spain to Lusophone lands: Carmen in Portugal and Brazil David Cranmer; 11. Carmen in the antipodes Kerry Murphy; 12. Carmen, as seen and heard in Victorian Britain Paul Rodmell; 13. Celtic Carmens: rebellion and redemption Linda J. Buckley and Jennifer Millar; 14. Carmen for the Czechs and Germans, 1880 to 1945 Martin Nedbal; 15. Carmen in Poland prior to 1918 Renata Suchowiejko; 16. A woman or a demon: Carmen in the late nineteenth-century Nordic countries Ulla-Britta Broman-Kananen; Part III. Localising Carmen: 17. Russian Carmens and 'Carmenism': from Imperial import to ideological benchmark Michelle Assay; 18. The other reversed? Japan's assimilation of Carmen between 1885 and 1945 Naomi Matsumoto; 19. Flamenco and the 'hispanicisation' of Bizet's Carmen in the Belle Époque Michael Christoforidis and Elizabeth Kertesz; 20. Carmen at home: between Andalusia and the Basque Provinces (1845-1936) Lola San Martín Arbide; 21. Carmen in the midi amphitheatres: a 'tauro-comique' spectacle Sabine Teulon Lardic; Selected Bibliography.
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