Michael Christoforidis (Lecturer in Music, Lecturer in Music, Unive, Elizabeth Kertesz ( Research Fellow at the Melbourne Conservatorium
Carmen and the Staging of Spain
Recasting Bizet's Opera in the Belle Epoque
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Michael Christoforidis (Lecturer in Music, Lecturer in Music, Unive, Elizabeth Kertesz ( Research Fellow at the Melbourne Conservatorium
Carmen and the Staging of Spain
Recasting Bizet's Opera in the Belle Epoque
- Gebundenes Buch
Georges Bizet's Carmen and its staging of an exoticized Spain was progressively reimagined between its 1875 Paris premiere and 1915. This book explores Carmen's dynamic interaction with Spanishness in this cosmopolitan age of spectacle, across operatic productions, parodies, and theatrical adaptations from Spain to Paris, London, and New York.
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Georges Bizet's Carmen and its staging of an exoticized Spain was progressively reimagined between its 1875 Paris premiere and 1915. This book explores Carmen's dynamic interaction with Spanishness in this cosmopolitan age of spectacle, across operatic productions, parodies, and theatrical adaptations from Spain to Paris, London, and New York.
Produktdetails
- Produktdetails
- Currents in Latin American and Iberian Music
- Verlag: Oxford University Press Inc
- Seitenzahl: 344
- Erscheinungstermin: 6. Dezember 2018
- Englisch
- Abmessung: 236mm x 163mm x 30mm
- Gewicht: 654g
- ISBN-13: 9780195384567
- ISBN-10: 0195384563
- Artikelnr.: 53304668
- Currents in Latin American and Iberian Music
- Verlag: Oxford University Press Inc
- Seitenzahl: 344
- Erscheinungstermin: 6. Dezember 2018
- Englisch
- Abmessung: 236mm x 163mm x 30mm
- Gewicht: 654g
- ISBN-13: 9780195384567
- ISBN-10: 0195384563
- Artikelnr.: 53304668
Michael Christoforidis lectures in musicology at the Melbourne Conservatorium of Music, University of Melbourne. He has published extensively on nineteenth- and twentieth-century Spanish music and dance, and its impact on Western culture, and is the author of Manuel de Falla and Visions of Spanish Music (Routledge, 2017). Elizabeth Kertesz is a research fellow at the Melbourne Conservatorium of Music, University of Melbourne. Having written her PhD on the critical reception of Ethel Smyth's operas, her current research interests include Spanish-themed music and theatrical entertainment, and film music from the Belle Époque into the early twentieth century.
* Introduction
* Prelude: The Spains of Paris, Mérimée and Bizet's Carmen
* PART 1: CARMEN'S EARLY ESCAPADES (1875-90)
* Chapter 1: Premiere and Revival: Paris, Galli-Marié and Spanish
Affairs
* Chapter 2: Impersonating Carmen in Victorian London
* PART 2: SPAIN DISCOVERS CARMEN (1887-91)
* Chapter 3: Duelling Carmens in Madrid
* Chapter 4: Profusion and Parody in Barcelona
* PART 3: AUTHENTICATING CARMEN IN THE AGE OF VERISMO (1889-1908)
* Chapter 5: Gypsy Primitivism and the Rise of Emma Calvé
* Chapter 6: Transatlantic Carmens in Dance and Drama
* Chapter 7: Finding a Spanish Voice for Carmen: Elena Fons and Maria
Gay
* PART 4: CARMEN AS POPULAR ENTERTAINMENT (1900-15
* Chapter 8: Carmen's Music Hall Embrace
* Chapter 9: Reproducing Carmen in the USA: Geraldine Farrar, the Met,
and Beyond
* Prelude: The Spains of Paris, Mérimée and Bizet's Carmen
* PART 1: CARMEN'S EARLY ESCAPADES (1875-90)
* Chapter 1: Premiere and Revival: Paris, Galli-Marié and Spanish
Affairs
* Chapter 2: Impersonating Carmen in Victorian London
* PART 2: SPAIN DISCOVERS CARMEN (1887-91)
* Chapter 3: Duelling Carmens in Madrid
* Chapter 4: Profusion and Parody in Barcelona
* PART 3: AUTHENTICATING CARMEN IN THE AGE OF VERISMO (1889-1908)
* Chapter 5: Gypsy Primitivism and the Rise of Emma Calvé
* Chapter 6: Transatlantic Carmens in Dance and Drama
* Chapter 7: Finding a Spanish Voice for Carmen: Elena Fons and Maria
Gay
* PART 4: CARMEN AS POPULAR ENTERTAINMENT (1900-15
* Chapter 8: Carmen's Music Hall Embrace
* Chapter 9: Reproducing Carmen in the USA: Geraldine Farrar, the Met,
and Beyond
* Introduction
* Prelude: The Spains of Paris, Mérimée and Bizet's Carmen
* PART 1: CARMEN'S EARLY ESCAPADES (1875-90)
* Chapter 1: Premiere and Revival: Paris, Galli-Marié and Spanish
Affairs
* Chapter 2: Impersonating Carmen in Victorian London
* PART 2: SPAIN DISCOVERS CARMEN (1887-91)
* Chapter 3: Duelling Carmens in Madrid
* Chapter 4: Profusion and Parody in Barcelona
* PART 3: AUTHENTICATING CARMEN IN THE AGE OF VERISMO (1889-1908)
* Chapter 5: Gypsy Primitivism and the Rise of Emma Calvé
* Chapter 6: Transatlantic Carmens in Dance and Drama
* Chapter 7: Finding a Spanish Voice for Carmen: Elena Fons and Maria
Gay
* PART 4: CARMEN AS POPULAR ENTERTAINMENT (1900-15
* Chapter 8: Carmen's Music Hall Embrace
* Chapter 9: Reproducing Carmen in the USA: Geraldine Farrar, the Met,
and Beyond
* Prelude: The Spains of Paris, Mérimée and Bizet's Carmen
* PART 1: CARMEN'S EARLY ESCAPADES (1875-90)
* Chapter 1: Premiere and Revival: Paris, Galli-Marié and Spanish
Affairs
* Chapter 2: Impersonating Carmen in Victorian London
* PART 2: SPAIN DISCOVERS CARMEN (1887-91)
* Chapter 3: Duelling Carmens in Madrid
* Chapter 4: Profusion and Parody in Barcelona
* PART 3: AUTHENTICATING CARMEN IN THE AGE OF VERISMO (1889-1908)
* Chapter 5: Gypsy Primitivism and the Rise of Emma Calvé
* Chapter 6: Transatlantic Carmens in Dance and Drama
* Chapter 7: Finding a Spanish Voice for Carmen: Elena Fons and Maria
Gay
* PART 4: CARMEN AS POPULAR ENTERTAINMENT (1900-15
* Chapter 8: Carmen's Music Hall Embrace
* Chapter 9: Reproducing Carmen in the USA: Geraldine Farrar, the Met,
and Beyond