Cartouches - Tostevin, Lola Lemire
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Writing about the death of one's father or of close friends brings into sharp focus the essential relation between language and death as it was so beautifully expressed on the temple walls of Ancient Egypt. When one looks at the hieroglyphs through a contemporary eye, one sees - experiences - the spectacle of writing, the performance through which the bleakness of death and desert are transformed into something that continues to live, if only in the writer's mind... The journal entries of Cartouches were not written in the usual traditional diary form in which a day's events are recorded. They…mehr

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Produktbeschreibung
Writing about the death of one's father or of close friends brings into sharp focus the essential relation between language and death as it was so beautifully expressed on the temple walls of Ancient Egypt. When one looks at the hieroglyphs through a contemporary eye, one sees - experiences - the spectacle of writing, the performance through which the bleakness of death and desert are transformed into something that continues to live, if only in the writer's mind... The journal entries of Cartouches were not written in the usual traditional diary form in which a day's events are recorded. They were, like the poems, "fashioned" as a process of writing through which the writer gives meaning to events that may (or may not) have happened. These events become hieroglyphs - iconic moments, if you will - framed within the pages of a book.
Autorenporträt
Lola Lemire Tostevin Lola Lemire Tostevin is the author of several books of poetry including Cartouches (1995), Color of Her Speech, Gyno-Text, Double Standards and Sophie; the novel, Frog Moon; and a collection of essays, Subject to Criticism. Fully bilingual, Tostevin has taught for seven years at York University, but now devotes most of her time to writing. She lives in Toronto with her husband and two children.