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The sexy Jewess moves boldly between neo-burlesque striptease, comedy television, ballet movies, and progressive porn. Bringing sexiness together with race, gender, and class, The Case of the Sexy Jewess looks at embodied joke-work that is most often, but not always meant to be funny.
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The sexy Jewess moves boldly between neo-burlesque striptease, comedy television, ballet movies, and progressive porn. Bringing sexiness together with race, gender, and class, The Case of the Sexy Jewess looks at embodied joke-work that is most often, but not always meant to be funny.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Oxford University Press
- Seitenzahl: 220
- Erscheinungstermin: 22. Dezember 2017
- Englisch
- Abmessung: 231mm x 155mm x 13mm
- Gewicht: 431g
- ISBN-13: 9780190624200
- ISBN-10: 0190624205
- Artikelnr.: 48502957
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Oxford University Press
- Seitenzahl: 220
- Erscheinungstermin: 22. Dezember 2017
- Englisch
- Abmessung: 231mm x 155mm x 13mm
- Gewicht: 431g
- ISBN-13: 9780190624200
- ISBN-10: 0190624205
- Artikelnr.: 48502957
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Hannah Schwadron is Assistant Professor in the School of Dance at Florida State University
* Contents
* Acknowledgements
* Introduction
* The Case of the Sexy Jewess
* Repetition with a Difference and the Joke Body
* Expressive Confessions of a "Face Like That"
* All in a Look
* The Corporeal Turn for New Jewish Studies Identity Acts and
Impersonations
* Jewish Joke-Work and the Doubled Female Subject
* The Queer Play of Self-Display
* Methods and Materials
* Notes
* Chapter 1
* Nice Girls Gone Blue: Neo-Burlesque Nostalgia and the Downwardly
Mobile
* Rockette Fantasies and the Menorah Horah
* Nice Jewish Girls Gone Bad and Ordering Chinese On Christmas Eve
* "Polyester Feminism" and the Stakes of Self-Display
* Sexy Spirit and the Do-It-Yourself Scheme
* Conclusion
* Notes
* Chapter 2
* Hello, Gorgeous and the Historical Lens: How Funny Girls Became Sexy
* Fanny Brice, Barbra Streisand, and the Joke of the Jewish Swan
* Sophie Tucker, Betty Boop, and the Bawdy Body Blacking Up
* Party Albums, Postwar Ambitions, and the Jewish American Princess
* Sexy Jews and Leggy Moves: Bunnies, Babes, and Mermaid Maneuvers
* Conclusion
* Notes
* Chapter 3
* Comic Glory (and Guilt): The Appropriative License of Jewish Female
Comedy
* Sandra Bernhard and the I/You Other
* Race, Sex, and the Sarah Silverman Effect
* Broad City's Bad Girls Getting Bi In-Between
* Conclusion
* Notes
* Chapter 4
* Black Swan, White Nose: Jewish Horror and Ballet Birds By Any Other
Name
* Synopsis and Setup: Thriller Ballet and Jewish Swans All Sexed Up
* Facing the Jewish Female Monster
* Jewish Swans, Queer Contexts
* Lesbian Sex and Swan Sin: Thrills Fit to Forget
* Swan Queen Kills Herself, Saves Ballet?
* The Funny Thing About Horror: Moving Across Genres
* Conclusion
* Notes
* Chapter 5
* Punk Porn Princess Joanna Angel and the Rise of Jewess Raunch
* From the Porn Wars to Post-feminism
* Piggish Authority and Sexual Commodification
* At Home in Burning Angel and Joanna's Jewish Roots
* Blow Up Joanna and the Jewish Doppelgänger
* Heeb Magazine and the Jewish Cutting Edge
* The Game of Interracial Porn and Joanna's Phallic Check Mate
* Conclusion
* Notes
* Conclusion
* At the Edge and In Your Face
* Notes
* Bibliography
* Index
* Acknowledgements
* Introduction
* The Case of the Sexy Jewess
* Repetition with a Difference and the Joke Body
* Expressive Confessions of a "Face Like That"
* All in a Look
* The Corporeal Turn for New Jewish Studies Identity Acts and
Impersonations
* Jewish Joke-Work and the Doubled Female Subject
* The Queer Play of Self-Display
* Methods and Materials
* Notes
* Chapter 1
* Nice Girls Gone Blue: Neo-Burlesque Nostalgia and the Downwardly
Mobile
* Rockette Fantasies and the Menorah Horah
* Nice Jewish Girls Gone Bad and Ordering Chinese On Christmas Eve
* "Polyester Feminism" and the Stakes of Self-Display
* Sexy Spirit and the Do-It-Yourself Scheme
* Conclusion
* Notes
* Chapter 2
* Hello, Gorgeous and the Historical Lens: How Funny Girls Became Sexy
* Fanny Brice, Barbra Streisand, and the Joke of the Jewish Swan
* Sophie Tucker, Betty Boop, and the Bawdy Body Blacking Up
* Party Albums, Postwar Ambitions, and the Jewish American Princess
* Sexy Jews and Leggy Moves: Bunnies, Babes, and Mermaid Maneuvers
* Conclusion
* Notes
* Chapter 3
* Comic Glory (and Guilt): The Appropriative License of Jewish Female
Comedy
* Sandra Bernhard and the I/You Other
* Race, Sex, and the Sarah Silverman Effect
* Broad City's Bad Girls Getting Bi In-Between
* Conclusion
* Notes
* Chapter 4
* Black Swan, White Nose: Jewish Horror and Ballet Birds By Any Other
Name
* Synopsis and Setup: Thriller Ballet and Jewish Swans All Sexed Up
* Facing the Jewish Female Monster
* Jewish Swans, Queer Contexts
* Lesbian Sex and Swan Sin: Thrills Fit to Forget
* Swan Queen Kills Herself, Saves Ballet?
* The Funny Thing About Horror: Moving Across Genres
* Conclusion
* Notes
* Chapter 5
* Punk Porn Princess Joanna Angel and the Rise of Jewess Raunch
* From the Porn Wars to Post-feminism
* Piggish Authority and Sexual Commodification
* At Home in Burning Angel and Joanna's Jewish Roots
* Blow Up Joanna and the Jewish Doppelgänger
* Heeb Magazine and the Jewish Cutting Edge
* The Game of Interracial Porn and Joanna's Phallic Check Mate
* Conclusion
* Notes
* Conclusion
* At the Edge and In Your Face
* Notes
* Bibliography
* Index
* Contents
* Acknowledgements
* Introduction
* The Case of the Sexy Jewess
* Repetition with a Difference and the Joke Body
* Expressive Confessions of a "Face Like That"
* All in a Look
* The Corporeal Turn for New Jewish Studies Identity Acts and
Impersonations
* Jewish Joke-Work and the Doubled Female Subject
* The Queer Play of Self-Display
* Methods and Materials
* Notes
* Chapter 1
* Nice Girls Gone Blue: Neo-Burlesque Nostalgia and the Downwardly
Mobile
* Rockette Fantasies and the Menorah Horah
* Nice Jewish Girls Gone Bad and Ordering Chinese On Christmas Eve
* "Polyester Feminism" and the Stakes of Self-Display
* Sexy Spirit and the Do-It-Yourself Scheme
* Conclusion
* Notes
* Chapter 2
* Hello, Gorgeous and the Historical Lens: How Funny Girls Became Sexy
* Fanny Brice, Barbra Streisand, and the Joke of the Jewish Swan
* Sophie Tucker, Betty Boop, and the Bawdy Body Blacking Up
* Party Albums, Postwar Ambitions, and the Jewish American Princess
* Sexy Jews and Leggy Moves: Bunnies, Babes, and Mermaid Maneuvers
* Conclusion
* Notes
* Chapter 3
* Comic Glory (and Guilt): The Appropriative License of Jewish Female
Comedy
* Sandra Bernhard and the I/You Other
* Race, Sex, and the Sarah Silverman Effect
* Broad City's Bad Girls Getting Bi In-Between
* Conclusion
* Notes
* Chapter 4
* Black Swan, White Nose: Jewish Horror and Ballet Birds By Any Other
Name
* Synopsis and Setup: Thriller Ballet and Jewish Swans All Sexed Up
* Facing the Jewish Female Monster
* Jewish Swans, Queer Contexts
* Lesbian Sex and Swan Sin: Thrills Fit to Forget
* Swan Queen Kills Herself, Saves Ballet?
* The Funny Thing About Horror: Moving Across Genres
* Conclusion
* Notes
* Chapter 5
* Punk Porn Princess Joanna Angel and the Rise of Jewess Raunch
* From the Porn Wars to Post-feminism
* Piggish Authority and Sexual Commodification
* At Home in Burning Angel and Joanna's Jewish Roots
* Blow Up Joanna and the Jewish Doppelgänger
* Heeb Magazine and the Jewish Cutting Edge
* The Game of Interracial Porn and Joanna's Phallic Check Mate
* Conclusion
* Notes
* Conclusion
* At the Edge and In Your Face
* Notes
* Bibliography
* Index
* Acknowledgements
* Introduction
* The Case of the Sexy Jewess
* Repetition with a Difference and the Joke Body
* Expressive Confessions of a "Face Like That"
* All in a Look
* The Corporeal Turn for New Jewish Studies Identity Acts and
Impersonations
* Jewish Joke-Work and the Doubled Female Subject
* The Queer Play of Self-Display
* Methods and Materials
* Notes
* Chapter 1
* Nice Girls Gone Blue: Neo-Burlesque Nostalgia and the Downwardly
Mobile
* Rockette Fantasies and the Menorah Horah
* Nice Jewish Girls Gone Bad and Ordering Chinese On Christmas Eve
* "Polyester Feminism" and the Stakes of Self-Display
* Sexy Spirit and the Do-It-Yourself Scheme
* Conclusion
* Notes
* Chapter 2
* Hello, Gorgeous and the Historical Lens: How Funny Girls Became Sexy
* Fanny Brice, Barbra Streisand, and the Joke of the Jewish Swan
* Sophie Tucker, Betty Boop, and the Bawdy Body Blacking Up
* Party Albums, Postwar Ambitions, and the Jewish American Princess
* Sexy Jews and Leggy Moves: Bunnies, Babes, and Mermaid Maneuvers
* Conclusion
* Notes
* Chapter 3
* Comic Glory (and Guilt): The Appropriative License of Jewish Female
Comedy
* Sandra Bernhard and the I/You Other
* Race, Sex, and the Sarah Silverman Effect
* Broad City's Bad Girls Getting Bi In-Between
* Conclusion
* Notes
* Chapter 4
* Black Swan, White Nose: Jewish Horror and Ballet Birds By Any Other
Name
* Synopsis and Setup: Thriller Ballet and Jewish Swans All Sexed Up
* Facing the Jewish Female Monster
* Jewish Swans, Queer Contexts
* Lesbian Sex and Swan Sin: Thrills Fit to Forget
* Swan Queen Kills Herself, Saves Ballet?
* The Funny Thing About Horror: Moving Across Genres
* Conclusion
* Notes
* Chapter 5
* Punk Porn Princess Joanna Angel and the Rise of Jewess Raunch
* From the Porn Wars to Post-feminism
* Piggish Authority and Sexual Commodification
* At Home in Burning Angel and Joanna's Jewish Roots
* Blow Up Joanna and the Jewish Doppelgänger
* Heeb Magazine and the Jewish Cutting Edge
* The Game of Interracial Porn and Joanna's Phallic Check Mate
* Conclusion
* Notes
* Conclusion
* At the Edge and In Your Face
* Notes
* Bibliography
* Index