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Sergio De Beukelaer's drawings offer a glimpse into his mind and the creation of a piece. It includes sketches, finished drawings, and everything in between. Text in English and Dutch.

Produktbeschreibung
Sergio De Beukelaer's drawings offer a glimpse into his mind and the creation of a piece. It includes sketches, finished drawings, and everything in between. Text in English and Dutch.
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Autorenporträt
Sergio De Beukelaer (°1971, BE) lives and works in Deurne, Belgium. De Beukelaer uses numerous codes of post-modernistic art from the 1960s and 1970s, such as abstraction, geometry, monochrome, and the "hard edge" technique but he does so with an irony and playfulness that cannot be reconciled with the attitude of minimalists and fundamental painters. Apparent contrasts, such as figuration and abstraction, flat and spatial, word and image, painting and sculpture, both contaminate and fertilise one another. In the concept of the "fat.canvas", a three-dimensional painting, the artist leaves the field of classical painting and conquers the painting the space. The shapes, colours and dimensions of De Beukelaer's works are tempting, but behind the power of these compact images, a surprising impact lurks on closer inspection. Sergio De Beukelaer is an alumini of The Royal Academy of Fine Arts Anwerp. Solo shows include: 2019 NO POP- NO UP, Gent (BE) - 2017; On.Titled, PLUS-ONE Gallery, Antwerp, (BE) - 2016; Sub.Titled, PLUS-ONE Gallery, Antwerp, (BE) - 2015; THE.SEQUEL, Galerie Annie Gentils, Antwerp, (BE) - 2013; The.Target.Series, Galerie Ronny Van de Velde, Knokke, (BE) - 2008; Format, Galeria Ramis Barquet, New York, (US) - 2007; Watch More Canvas, ABA Art, Palma, (ES) - 2004; Roomservice, Galeria Ramis Barquet, New York, (US) ARCO, Madrid, (ES) - 2003; Processing, Tim Van Laere Gallery, Antwerp, (BE) - 2001; At Random, Provinciaal Centrum voor Beeldende Kunsten, Hasselt, (BE) - Space Location, Van Laere Contemporary Art, Antwerp, (BE) - 2000; Oil On Fat.canvas - Objects & Drawings, Van Laere Contemporary Art, Antwerp.