In examining how the technologies of museum bureaucracy â the ledger book, the card catalogue, the database â operate through a colonial lens, Cataloguing Culture shines a light on access to and the return of Indigenous cultural heritage.
In examining how the technologies of museum bureaucracy â the ledger book, the card catalogue, the database â operate through a colonial lens, Cataloguing Culture shines a light on access to and the return of Indigenous cultural heritage.
Hannah Turner is an information and museum studies scholar, and is an assistant professor in the School of Information at the University of British Columbia. She has published in journals such as Museum Anthropology, Knowledge Organization, and Cataloging and Classification Quarterly. From 2018 to 2019 she was a lecturer in Museum Studies at the University of Leicester.
Inhaltsangabe
Preface Introduction: "The Making of Specimens Eloquent" 1 Writing Desiderata: Defining Evidence in the Field 2 On the Margins: Paper Systems of Classification 3 Ordering Devices and Indian Files: Cataloguing Ethnographic Specimens 4 Pragmatic Classification: The Routine Work of Description after 1950 5 Object, Specimen, Data: Computerization and the Legacy of Dirty Data Conclusion: A Museum Data Legacy for the Future Notes; Bibliography; Index
Preface Introduction: "The Making of Specimens Eloquent" 1 Writing Desiderata: Defining Evidence in the Field 2 On the Margins: Paper Systems of Classification 3 Ordering Devices and Indian Files: Cataloguing Ethnographic Specimens 4 Pragmatic Classification: The Routine Work of Description after 1950 5 Object, Specimen, Data: Computerization and the Legacy of Dirty Data Conclusion: A Museum Data Legacy for the Future Notes; Bibliography; Index
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