Die Sehnsucht nach dem Warten, die Lust auf Geschwindigkeit steht im Mittelpunkt von ausgesuchten Arbeiten von Künstlern wie Daniel Hafner, Anri Sala, Roman Signer, Ed Ruscha, Lisi Raskin, Markus Wilfling und anderen. Es geht um die Faszination von zugespitzten Situationen, um den Kitzel zunehmender Dynamik, wie auch um den Rausch, der durch Geschwindigkeit erzeugt werden kann. Ausgehend von der Arbeit High-Speed Gardening von Ed Ruscha stellt das Buch den Versuch dar, mit einer Gruppe von Künstlern einen Ablauf zu choreografieren, der "Catch Me!" in seinen verschiedenen Facetten zu einem Libretto für die Gestaltung des Themas macht.
(Ausstellung 6.02.2010 - 25.04.2010) The group exhibition "Catch Me!" and the accompanying catalogue deal with the phenomenon of acceleration - the personal experience of speed relative to time and space.
The selected works by artists such as Daniel Hafner, Anri Sala, Roman Signer, Ed Ruscha, Lisi Raskin and Markus Wilfling are about the fascination of the heightened situation, the thrill of acceleration or the intoxication of speed. Speed as an experienceable phenomena is either excessive and idealised or as in Paul Virilio s formative text Polar Inertia , which, in a sense, forms the foundation of the theoretical discourse of the exhibition problematized and nigh on doomed. Beginning with the piece High-Speed Gardening by Ed Ruscha, the exhibition represents the attempt to choreograph a group works and as such, "Catch Me!" is a libretto to the layout of the exhibition space.
(Exhibition 6.02.2010 - 25.04.2010)
(Ausstellung 6.02.2010 - 25.04.2010) The group exhibition "Catch Me!" and the accompanying catalogue deal with the phenomenon of acceleration - the personal experience of speed relative to time and space.
The selected works by artists such as Daniel Hafner, Anri Sala, Roman Signer, Ed Ruscha, Lisi Raskin and Markus Wilfling are about the fascination of the heightened situation, the thrill of acceleration or the intoxication of speed. Speed as an experienceable phenomena is either excessive and idealised or as in Paul Virilio s formative text Polar Inertia , which, in a sense, forms the foundation of the theoretical discourse of the exhibition problematized and nigh on doomed. Beginning with the piece High-Speed Gardening by Ed Ruscha, the exhibition represents the attempt to choreograph a group works and as such, "Catch Me!" is a libretto to the layout of the exhibition space.
(Exhibition 6.02.2010 - 25.04.2010)