Scored for the same instrumentation as Messiaen's Quatuor Pour la Fin du Temps, Thomas Adès' dazzlingly precocious Catch from 1991 has a theatrical element written into its very DNA: a pianist, a cellist and a violinist, seated on stage, fend off the attempts of a wandering clarinettist to join them... All the efforts are repelled, until the work's wistful yet quizzical ending. Bursting with rhythmic energy, this vivid nine-minute work showcases a young Adès' remarkable ingenuity and sense of musical drama. 'His music is arrestingly original... ... He has an engaging voice and audacious imagination.' The New York Times (Anthony Tommasini), 27 February 1999
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