Looking at the way sacrifice, service, and the commemoration of war are represented in literary works, this book argues that iterations of a notion of national identity work to counter current anxieties about the stability of the nation-state, in particular about the failure of the ideal of a national ââ,¬Å"character.ââ,¬Â?
Looking at the way sacrifice, service, and the commemoration of war are represented in literary works, this book argues that iterations of a notion of national identity work to counter current anxieties about the stability of the nation-state, in particular about the failure of the ideal of a national ââ,¬Å"character.ââ,¬Â?Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Neta Gordon is an associate professor at Brock University, where she teaches courses on Canadian literature. She is a co-editor of The Broadview Introduction to Literature (2013) and has written on such authors as Barbara Gowdy, SKY Lee, and Ann-Marie MacDonald.
Inhaltsangabe
Table of Contents for Catching the Torch: Contemporary Canadian Literary Responses to World War I by Neta Gordon Acknowledgements Introduction: Contemporary Canadian First World War Narratives: Remembering Canada's Best Self Chapter One: The Dead Speak: Considering the Use of Prosopopoeia in Dancock's Dance, Mary's Wedding, and The Deep Chapter Two: The War and Concepts of Nation in Jack Hodgins's Broken Ground and Frances Itani's Deafening Chapter Three: Abandoning the Archivist: Commemorating the War Insider and Outsider in the World War One Novels of Alan Cumyn and Jane Urquhart Chapter Four: Other Canadians: The Representation of Alternate Versions of the War in Vimy, Unity (1918), Three Day Road, and A Secret Between Us Conclusion: Representations of the First World War and Wishing Notes Biblography Index
Table of Contents for Catching the Torch: Contemporary Canadian Literary Responses to World War I by Neta Gordon Acknowledgements Introduction: Contemporary Canadian First World War Narratives: Remembering Canada's Best Self Chapter One: The Dead Speak: Considering the Use of Prosopopoeia in Dancock's Dance, Mary's Wedding, and The Deep Chapter Two: The War and Concepts of Nation in Jack Hodgins's Broken Ground and Frances Itani's Deafening Chapter Three: Abandoning the Archivist: Commemorating the War Insider and Outsider in the World War One Novels of Alan Cumyn and Jane Urquhart Chapter Four: Other Canadians: The Representation of Alternate Versions of the War in Vimy, Unity (1918), Three Day Road, and A Secret Between Us Conclusion: Representations of the First World War and Wishing Notes Biblography Index
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