Examines contemporary novels and plays written about Canada's participation in World War I. Exploring such works as Jane Urquhart's The Underpainter and Jack Hodgins's Broken Ground, the book considers how writers have dealt with the compelling myth that the Canadian nation was born in the trenches of the Great War.
Examines contemporary novels and plays written about Canada's participation in World War I. Exploring such works as Jane Urquhart's The Underpainter and Jack Hodgins's Broken Ground, the book considers how writers have dealt with the compelling myth that the Canadian nation was born in the trenches of the Great War.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Neta Gordon is an associate professor at Brock University, where she teaches courses on Canadian literature. She is a co-editor of The Broadview Introduction to Literature (2013) and has written on such authors as Barbara Gowdy, SKY Lee, and Ann-Marie MacDonald.
Inhaltsangabe
Table of Contents for Catching the Torch: Contemporary Canadian Literary Responses to World War I by Neta Gordon Acknowledgements Introduction: Contemporary Canadian First World War Narratives: Remembering Canada's Best Self Chapter One: The Dead Speak: Considering the Use of Prosopopoeia in Dancock's Dance, Mary's Wedding, and The Deep Chapter Two: The War and Concepts of Nation in Jack Hodgins's Broken Ground and Frances Itani's Deafening Chapter Three: Abandoning the Archivist: Commemorating the War Insider and Outsider in the World War One Novels of Alan Cumyn and Jane Urquhart Chapter Four: Other Canadians: The Representation of Alternate Versions of the War in Vimy, Unity (1918), Three Day Road, and A Secret Between Us Conclusion: Representations of the First World War and Wishing Notes Biblography Index
Table of Contents for Catching the Torch: Contemporary Canadian Literary Responses to World War I by Neta Gordon Acknowledgements Introduction: Contemporary Canadian First World War Narratives: Remembering Canada's Best Self Chapter One: The Dead Speak: Considering the Use of Prosopopoeia in Dancock's Dance, Mary's Wedding, and The Deep Chapter Two: The War and Concepts of Nation in Jack Hodgins's Broken Ground and Frances Itani's Deafening Chapter Three: Abandoning the Archivist: Commemorating the War Insider and Outsider in the World War One Novels of Alan Cumyn and Jane Urquhart Chapter Four: Other Canadians: The Representation of Alternate Versions of the War in Vimy, Unity (1918), Three Day Road, and A Secret Between Us Conclusion: Representations of the First World War and Wishing Notes Biblography Index
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