Ann Moseley is the William L. Mayo Professor and professor emerita of literature and languages at Texas A&M University¿Commerce. John J. Murphy is professor emeritus at Brigham Young University.¿Robert Thacker is¿the Charles A. Dana Professor of Canadian Studies and English¿at St. Lawrence University.
Ann Moseley is the William L. Mayo Professor and professor emerita of literature and languages at Texas A&M University¿Commerce. John J. Murphy is professor emeritus at Brigham Young University.¿Robert Thacker is¿the Charles A. Dana Professor of Canadian Studies and English¿at St. Lawrence University.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Ann Moseley is the William L. Mayo Professor and professor emerita of literature and languages at Texas A&M University-Commerce. John J. Murphy is professor emeritus at Brigham Young University. Robert Thacker is the Charles A. Dana Professor of Canadian Studies and English at St. Lawrence University.
Inhaltsangabe
List of Illustrations Introduction: Willa Cather at the Modernist Crux Ann Moseley, John J. Murphy, and Robert Thacker Prologue: Gifts from the Museum: Catherian Epiphanies in Context John J. Murphy Part 1. Beginnings 1. The Compatibility of Art and Religion for Willa Cather: From the Beginning Steven B. Shively 2. Thea in Wonderland: Willa Cather’s Revision of the Alice Novels and the Gender Codes of the Western Frontier Michelle E. Moore 3. Ántonia and Hiawatha: Spectacles of the Nation Joseph C. Murphy Part 2. Presences 4. Willa Cather, Howard Pyle, and “The Precious Message of Romance” Richard C. Harris 5. “Then a Great Man in American Art”: Willa Cather’s Frederic Remington Robert Thacker 6. Willa Cather, Ernest L. Blumenschein, and "The Painting of Tomorrow" James A. Jaap 7. From The Song of the Lark to Lucy Gayheart, and Die Walküre to Die Winterreise David Porter 8. The Trafficking of Mrs. Forrester: Prostitution and Willa Cather's A Lost Lady Charmion Gustke 9. The Outlandish Hands of Fred Demmler: Pittsburgh Prototypes in The Professor’s House Timothy W. Bintrim 10. Translating the Southwest: The 1940 French Edition of Death Comes for the Archbishop Mark J. Madigan Part 3. Articulation: The Song of the Lark 11. Elements of Modernism in The Song of the Lark Ann Moseley 12. “The Earliest Sources of Gladness”: Reading the Deep Map of Cather’s Southwest Diane Prenatt 13. Re(con)ceiving Experience: Cognitive Science and Creativity in The Song of the Lark Joshua Doleal 14. Women and Vessels in The Song of the Lark and Shadows on the Rock Angela Conrad Epilogue: The Difference That Letters Make: A Meditation on The Selected Letters of Willa Cather Andrew Jewell and Janis Stout Contributors Index
List of Illustrations Introduction: Willa Cather at the Modernist Crux Ann Moseley, John J. Murphy, and Robert Thacker Prologue: Gifts from the Museum: Catherian Epiphanies in Context John J. Murphy Part 1. Beginnings 1. The Compatibility of Art and Religion for Willa Cather: From the Beginning Steven B. Shively 2. Thea in Wonderland: Willa Cather’s Revision of the Alice Novels and the Gender Codes of the Western Frontier Michelle E. Moore 3. Ántonia and Hiawatha: Spectacles of the Nation Joseph C. Murphy Part 2. Presences 4. Willa Cather, Howard Pyle, and “The Precious Message of Romance” Richard C. Harris 5. “Then a Great Man in American Art”: Willa Cather’s Frederic Remington Robert Thacker 6. Willa Cather, Ernest L. Blumenschein, and "The Painting of Tomorrow" James A. Jaap 7. From The Song of the Lark to Lucy Gayheart, and Die Walküre to Die Winterreise David Porter 8. The Trafficking of Mrs. Forrester: Prostitution and Willa Cather's A Lost Lady Charmion Gustke 9. The Outlandish Hands of Fred Demmler: Pittsburgh Prototypes in The Professor’s House Timothy W. Bintrim 10. Translating the Southwest: The 1940 French Edition of Death Comes for the Archbishop Mark J. Madigan Part 3. Articulation: The Song of the Lark 11. Elements of Modernism in The Song of the Lark Ann Moseley 12. “The Earliest Sources of Gladness”: Reading the Deep Map of Cather’s Southwest Diane Prenatt 13. Re(con)ceiving Experience: Cognitive Science and Creativity in The Song of the Lark Joshua Doleal 14. Women and Vessels in The Song of the Lark and Shadows on the Rock Angela Conrad Epilogue: The Difference That Letters Make: A Meditation on The Selected Letters of Willa Cather Andrew Jewell and Janis Stout Contributors Index
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