Melissa J. Homestead is Susan J. Rosowski Associate Professor of English and program faculty in women¿s and gender studies at the University of Nebraska¿Lincoln. She is the author of American Women Authors and Literary Property, 1822¿1869. Guy J. Reynolds is a professor of English and the director of the Cather Project at the University of Nebraska¿Lincoln. He is the author of Willa Cather in Context: Progress, Race, Empire and Apostles of Modernity: American Writers in the Age of Development (Nebraska 2008).
Melissa J. Homestead is Susan J. Rosowski Associate Professor of English and program faculty in women¿s and gender studies at the University of Nebraska¿Lincoln. She is the author of American Women Authors and Literary Property, 1822¿1869. Guy J. Reynolds is a professor of English and the director of the Cather Project at the University of Nebraska¿Lincoln. He is the author of Willa Cather in Context: Progress, Race, Empire and Apostles of Modernity: American Writers in the Age of Development (Nebraska 2008).Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Melissa J. Homestead is Susan J. Rosowski Associate Professor of English and program faculty in women's and gender studies at the University of Nebraska-Lincoln. She is the author of American Women Authors and Literary Property, 1822-1869. Guy J. Reynolds is a professor of English and the director of the Cather Project at the University of Nebraska-Lincoln. He is the author of Willa Cather in Context: Progress, Race, Empire and Apostles of Modernity: American Writers in the Age of Development (Nebraska 2008).
Inhaltsangabe
Editorial Policy Introduction Melissa J. Homestead and Guy J. Reynolds 1. Willa Cather in and out of Zane Grey's West John N. Swift 2. Thea's "Indian Play" in The Song of the Lark Sarah Clere 3. "Jazz Age" Places: Modern Regionalism in Willa Cather's The Professor's House Kelsey Squire 4. Changing Trains: Metaphors of Transfer in Willa Cather Mark A. R. Facknitz 5. Chicago's Cliff Dwellers and The Song of the Lark Michelle E. Moore 6. Willa Cather and Henry Blake Fuller: More Building Blocks for The Professor's House Richard C. Harris 7. Cather's "Office Wives" Stories and Modern Women's Work Amber Harris Leichner 8. It's Mr. Reynolds Who Wishes It: Profit and Prestige between Cather and Her Literary Agent Matthew Lavin 9. Thea at the Art Institute Julie Olin-Ammentorp 10. Art and the Commercial Object as Ekphrastic Subjects in The Song of the Lark and The Professor's House Diane Prenatt 11. "The Nude Had Descended the Staircase": Katherine Anne Porter Looks at Willa Cather Looking at Modern Art Janis P. Stout 12. "The Cruelty of Physical Things": Picture Writing and Violence in Willa Cather's "The Profile" Joyce Kessler 13. "Before Its Romanzas Have Become Street Music": Cather and Verdi's Falstaff, Chicago, 1895 John H. Flannigan Contributors Index
Editorial Policy Introduction Melissa J. Homestead and Guy J. Reynolds 1. Willa Cather in and out of Zane Grey's West John N. Swift 2. Thea's "Indian Play" in The Song of the Lark Sarah Clere 3. "Jazz Age" Places: Modern Regionalism in Willa Cather's The Professor's House Kelsey Squire 4. Changing Trains: Metaphors of Transfer in Willa Cather Mark A. R. Facknitz 5. Chicago's Cliff Dwellers and The Song of the Lark Michelle E. Moore 6. Willa Cather and Henry Blake Fuller: More Building Blocks for The Professor's House Richard C. Harris 7. Cather's "Office Wives" Stories and Modern Women's Work Amber Harris Leichner 8. It's Mr. Reynolds Who Wishes It: Profit and Prestige between Cather and Her Literary Agent Matthew Lavin 9. Thea at the Art Institute Julie Olin-Ammentorp 10. Art and the Commercial Object as Ekphrastic Subjects in The Song of the Lark and The Professor's House Diane Prenatt 11. "The Nude Had Descended the Staircase": Katherine Anne Porter Looks at Willa Cather Looking at Modern Art Janis P. Stout 12. "The Cruelty of Physical Things": Picture Writing and Violence in Willa Cather's "The Profile" Joyce Kessler 13. "Before Its Romanzas Have Become Street Music": Cather and Verdi's Falstaff, Chicago, 1895 John H. Flannigan Contributors Index
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