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My hope for every young photography student is that there comes a point when the need to do the work overrides the desire to do well in school. This happened for me in earnest when I was in graduate school in 1984. I liken this moment to a first kiss; you get only one chance, and with some luck it's not squandered. Following Garry Winogrand's memorial service in March of that year, and a freak New York City snowstorm on that warm spring day, I took the RR subway into Bay Ridge, Brooklyn, to visit my high school teacher, the artist Len Bellinger. As usual, I had my 8X10 camera and holders in a…mehr

Produktbeschreibung
My hope for every young photography student is that there comes a point when the need to do the work overrides the desire to do well in school. This happened for me in earnest when I was in graduate school in 1984. I liken this moment to a first kiss; you get only one chance, and with some luck it's not squandered. Following Garry Winogrand's memorial service in March of that year, and a freak New York City snowstorm on that warm spring day, I took the RR subway into Bay Ridge, Brooklyn, to visit my high school teacher, the artist Len Bellinger. As usual, I had my 8X10 camera and holders in a backpack, tripod dangling off to the side. Being a diligent student, I took the opportunity to photograph at my alma mater, a largely Italian-American Catholic high school for girls. I was immediately struck with a rush of recognition and terror. I returned to make pictures many times during the following months, knowing intuitively there was something important for me to unpack. Only a few years earlier, within these walls, I had lived my life as a teenager, a time of intense joy and unfathomable grief. Without hesitation, that spring day I jumped off the cliff. I was in love. This book includes the Brooklyn work, as well as photographs made at that time in two New Haven Catholic girls' schools. All of the work is produced with an 8X10 camera and printed in platinum, a practice I still employ. Evident is the influence of photographers whose work I was devouring, particularly August Sander and Diane Arbus. The seeds of my future projects are all in this book. With the Catholic girls I launched an obsessive lifelong work habit that I might not wish on anyone I care about. Looking back over these forty years, I don't believe I had much choice. I remain most grateful to everyone who has supported me through the decades, including the incredible girls who generously offered their time to be photographed in 1984. Andrea Modica
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Autorenporträt
Andrea Modica was born in New York City and lives in Philadelphia, where she works as a photographer and teaches at Drexel University. She is a Guggenheim Fellow, a Fulbright Scholar and the recipient of a Knight Award. Her books include Treadwell (Chronicle), Minor League (Smithsonian Press), Barbara (Nazraeli), Human Being (Nazraeli), Fountain (Stinehour Editions) and most recently As We Wait (L'Artiere), now in its second edition. Her most recent monograph is a collection of portraits of Mummer Wenches, titled January 1 (L'Artiere). Upcoming is a book of photographs made at a horse clinic in Italy, titled Clinica Equina Bagnarola (Tis Books). Her photographs have been featured in many magazines, including the New York Times Magazine, the New Yorker, Newsweek and American Photo. Modica has exhibited extensively and has had solo exhibitions at the San Francisco Museum of Modern Art, the Cleveland Museum of Art and the San Diego Museum of Photographic Arts. Her photographs are part of the permanent collections of the Museum of Modern Art, the Metropolitan Museum of Art, the Whitney Museum of American Art, the Brooklyn Museum, the Philadelphia Museum of Art, the Smithsonian American Art Museum, the International Museum of Photography and Film at the George Eastman House, and the Bibliotheque Nationale. All the photographs on this website and in Andrea Modica's books are made with an 8X10" camera with Kodak Tri-x film. The final prints are platinum-palladium.