The relationship between the Catholic Church and theatre has a long and complicated history. This collection of fourteen critical essays seeks to demystify the ties--both practical and ideological--that have long bound Catholicism to theatrical production. This volume offers insights into medieval theatre, Jesuit drama, ballet and opera, modern stagings of medieval liturgical drama, Lorca and Lope de Vega as Catholic playwrights, Italian Catholic women's drama, Catholic play-wrighting and acting, and the unique challenges of teaching theatre in Catholic universities.
The relationship between the Catholic Church and theatre has a long and complicated history. This collection of fourteen critical essays seeks to demystify the ties--both practical and ideological--that have long bound Catholicism to theatrical production. This volume offers insights into medieval theatre, Jesuit drama, ballet and opera, modern stagings of medieval liturgical drama, Lorca and Lope de Vega as Catholic playwrights, Italian Catholic women's drama, Catholic play-wrighting and acting, and the unique challenges of teaching theatre in Catholic universities.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Kevin J. Wetmore, Jr., is a professional actor and director whose previous books have covered topics ranging from Star Wars to Renaissance faires. He is a professor and chair of the theater department at Loyola Marymount University in Los Angeles, California.
Inhaltsangabe
Table of Contents Acknowledgments Introduction: What Is Catholic Theatre? KEVIN J. WETMORE, Part I. History 1. Female Spirituality, Female Sexuality and Re-Viewing "Re-Viewing Hrotsvit": The Plays of Hrotsvit von Gandersheim as Counterdiscursive Inversion of the Church Fathers KEVIN J. WETMORE, 2. Not Just a University Theatre: The Significance of Jesuit School Drama in Continental Europe, 1540-1773 JOOHEE PARK 3. Shakespeare as Catholic Dramatist in The Tempest MARY FRANCES WILLIAMS 4. Orthodoxy and Technique: Jesuit Ballet in the Post-Reformation Period THE REV. ANGELA YARBER 5. Little Mothers, Mischievous Boys, and Good Little Christians: Characters in Children's Parlor Plays in America, 1858-1903 SHANAN CUSTER 6. Religious Tragedy: García Lorca's Unfinished Play About Christ CECILIA GONZÁLEZ-ANDRIEU 7. Catholic Theatre for Women in Post-War Italy: Education, Morality, and Social Change DANIELA CAVALLARO Part II. Practice 8. Saints as Subject and Agenda: Notes on Catholic Playwriting ERIK 9. Magi Liturgical Dramas Performed in Worship: Two Case Studies of Interpretations of Medieval Liturgical Drama THE REV. THERESA MASON 10. Opera News: Jesuits, Catholic Imagination, and the Staging of Cultural Conversations MICHAEL ZAMPELLI, S.J. 11. Ancient Ritual, Modern Drama: Catholic Worship and Playwriting Pedagogy SUSAN BRABANT BAXTER 12. Genesius in the City of Angels: Lope de Vega as a Catholic Playwright in a Bilingual Production of Lo fingido verdadero KEVIN J. WETMORE, 13. The Genesian Effect: Performing Damien Deepens an Actor's Faith DAN CAWTHON 14. Publicity, Props and Playtext in a Franciscan Setting: The Practical Teaching of Everyman in a Small Catholic School TIMOTHY DUGAN About the Contributors Index
Table of Contents Acknowledgments Introduction: What Is Catholic Theatre? KEVIN J. WETMORE, Part I. History 1. Female Spirituality, Female Sexuality and Re-Viewing "Re-Viewing Hrotsvit": The Plays of Hrotsvit von Gandersheim as Counterdiscursive Inversion of the Church Fathers KEVIN J. WETMORE, 2. Not Just a University Theatre: The Significance of Jesuit School Drama in Continental Europe, 1540-1773 JOOHEE PARK 3. Shakespeare as Catholic Dramatist in The Tempest MARY FRANCES WILLIAMS 4. Orthodoxy and Technique: Jesuit Ballet in the Post-Reformation Period THE REV. ANGELA YARBER 5. Little Mothers, Mischievous Boys, and Good Little Christians: Characters in Children's Parlor Plays in America, 1858-1903 SHANAN CUSTER 6. Religious Tragedy: García Lorca's Unfinished Play About Christ CECILIA GONZÁLEZ-ANDRIEU 7. Catholic Theatre for Women in Post-War Italy: Education, Morality, and Social Change DANIELA CAVALLARO Part II. Practice 8. Saints as Subject and Agenda: Notes on Catholic Playwriting ERIK 9. Magi Liturgical Dramas Performed in Worship: Two Case Studies of Interpretations of Medieval Liturgical Drama THE REV. THERESA MASON 10. Opera News: Jesuits, Catholic Imagination, and the Staging of Cultural Conversations MICHAEL ZAMPELLI, S.J. 11. Ancient Ritual, Modern Drama: Catholic Worship and Playwriting Pedagogy SUSAN BRABANT BAXTER 12. Genesius in the City of Angels: Lope de Vega as a Catholic Playwright in a Bilingual Production of Lo fingido verdadero KEVIN J. WETMORE, 13. The Genesian Effect: Performing Damien Deepens an Actor's Faith DAN CAWTHON 14. Publicity, Props and Playtext in a Franciscan Setting: The Practical Teaching of Everyman in a Small Catholic School TIMOTHY DUGAN About the Contributors Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
