Catholicism as Musical Discourse - Gordon, Catherine
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Catholicism as Musical Discourse reveals the important role that French-language sacred songs, written primarily for women, played in the evolution of the Catholic Reform over the long seventeenth century. By singing sacred songs--called cantiques, spiritual or devotional airs--reformers believed that principles of Catholicism would be easier to learn, remember, and affect women's behavior. This book shows that various interpretations of Catholicism were not only transformed over time but also how and why. Most importantly, it demonstrates that sacred songs became a part of the Catholic…mehr

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Produktbeschreibung
Catholicism as Musical Discourse reveals the important role that French-language sacred songs, written primarily for women, played in the evolution of the Catholic Reform over the long seventeenth century. By singing sacred songs--called cantiques, spiritual or devotional airs--reformers believed that principles of Catholicism would be easier to learn, remember, and affect women's behavior. This book shows that various interpretations of Catholicism were not only transformed over time but also how and why. Most importantly, it demonstrates that sacred songs became a part of the Catholic Church's effort to mediate and shape the role of women in French society.
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Autorenporträt
Catherine E. Gordon is Professor of Music at Providence College. Her area of research focuses on seventeenth-century French secular and sacred airs. She has received numerous research fellowships, was the winner of the 2005 American Musicological Society's Noah Greenberg Award, and is the author of Music and the Language of Love: Seventeenth-Century French Airs.