This collection of essays explores intermediality as a new perspective in the interpretation of the cinemas that have emerged after the collapse of the former Eastern bloc.
This collection of essays explores intermediality as a new perspective in the interpretation of the cinemas that have emerged after the collapse of the former Eastern bloc.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Ágnes Pethő is Professor of Film Studies at the Department of Film, Photography and Media of the Sapientia Hungarian University of Transylvania in Cluj-Napoca (Romania). She is also the executive editor of the peer-reviewed journal, Acta Universitatis Sapientiae: Film and Media Studies.
Inhaltsangabe
Ágnes Petho: The Art of In-Betweenness in Contemporary Eastern European Cinema Entangled Sensations, Cinema in-between the Arts 1. Hajnal Király: Intermedially Emotional. Musical Mood-Cues, Disembodied Feelings in Contemporary Hungarian Melodramas 2. Judit Pieldner: Black-and-White Sensations of History and Female Identity in Contemporary Polish and Czech Cinema 3. Ágnes Petho: Sculpture and Affect in Cinema's Expanded Field. From Aleksey Gherman Sr.'s Hard to be a God to Aleksey Gherman Jr.'s Under Electric Clouds 4. Mareike Sera: Intermedial Densities in the Work of Jan svankmajer. A Media-Anthropological Case Study Immersions into Memory, Culture and Intermediality 5. Christina Stojanova: Trickster Narratives and Carnivalesque Intermediality in Contemporary Romanian Cinema 6. Melinda Blos-Jáni: Photographic Passages to the Past in Eastern-European Nonfiction Films 7. Katalin Sándor: Trauma, Memorialization and Intermediality in Jasmila Zbanic's For Those Who Can Tell No Tales 8. Fatima Chinita: An Immersive Theatrical Journey through Media and Time in Alexander Sokurov's Russian Ark Reflections upon Reality, Representation and Power 9. Malgorzata Bugaj: The Real and the Intermedial in Alexander Sokurov's Family Trilogy 10. Zsolt Gyenge: This is Not Magritte. Corneliu Porumboiu's Theory of Representation 11. Gabriel Laverdière: Digital Détrompe l'Oeil and Contemporary Polish Narrative Cinema 12. Bence Kránicz: False Gods. Superhero Genre and Graphic Storytelling in Contemporary Hungarian and Russian Cinema
Ágnes Petho: The Art of In-Betweenness in Contemporary Eastern European Cinema Entangled Sensations, Cinema in-between the Arts 1. Hajnal Király: Intermedially Emotional. Musical Mood-Cues, Disembodied Feelings in Contemporary Hungarian Melodramas 2. Judit Pieldner: Black-and-White Sensations of History and Female Identity in Contemporary Polish and Czech Cinema 3. Ágnes Petho: Sculpture and Affect in Cinema's Expanded Field. From Aleksey Gherman Sr.'s Hard to be a God to Aleksey Gherman Jr.'s Under Electric Clouds 4. Mareike Sera: Intermedial Densities in the Work of Jan svankmajer. A Media-Anthropological Case Study Immersions into Memory, Culture and Intermediality 5. Christina Stojanova: Trickster Narratives and Carnivalesque Intermediality in Contemporary Romanian Cinema 6. Melinda Blos-Jáni: Photographic Passages to the Past in Eastern-European Nonfiction Films 7. Katalin Sándor: Trauma, Memorialization and Intermediality in Jasmila Zbanic's For Those Who Can Tell No Tales 8. Fatima Chinita: An Immersive Theatrical Journey through Media and Time in Alexander Sokurov's Russian Ark Reflections upon Reality, Representation and Power 9. Malgorzata Bugaj: The Real and the Intermedial in Alexander Sokurov's Family Trilogy 10. Zsolt Gyenge: This is Not Magritte. Corneliu Porumboiu's Theory of Representation 11. Gabriel Laverdière: Digital Détrompe l'Oeil and Contemporary Polish Narrative Cinema 12. Bence Kránicz: False Gods. Superhero Genre and Graphic Storytelling in Contemporary Hungarian and Russian Cinema
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