Cavell's Must We Mean What We Say? at 50
Herausgeber: Chase, Greg; Laugier, Sandra; Floyd, Juliet
Cavell's Must We Mean What We Say? at 50
Herausgeber: Chase, Greg; Laugier, Sandra; Floyd, Juliet
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"The volumes in this series reflect on classic philosophy books from the second half of the twentieth century, assessing their achievements, their influence on the field, and their lasting significance"--
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"The volumes in this series reflect on classic philosophy books from the second half of the twentieth century, assessing their achievements, their influence on the field, and their lasting significance"--
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 260
- Erscheinungstermin: 1. Februar 2022
- Englisch
- Abmessung: 235mm x 157mm x 19mm
- Gewicht: 534g
- ISBN-13: 9781316515259
- ISBN-10: 1316515257
- Artikelnr.: 62547888
- Verlag: Cambridge University Press
- Seitenzahl: 260
- Erscheinungstermin: 1. Februar 2022
- Englisch
- Abmessung: 235mm x 157mm x 19mm
- Gewicht: 534g
- ISBN-13: 9781316515259
- ISBN-10: 1316515257
- Artikelnr.: 62547888
Introduction: Part I. Ordinary Language and its Philosophy: 1. Must we mean
what we say? and ordinary language philosophy Sandra Laugier; 2.
Revolutionary uses of Wittgenstein in must we mean what we say? Juliet
Floyd; 3. Actions and their elaboration Jean-Philippe Narboux; 4., Faces of
the ordinary Eli Friedlander; Part II. Aesthetics and the Modern: 5.
Language-games and 'forms of life': Cavell's reading of Wittgenstein and
its relevance to literary studies Greg Chase; 6. Philosophic and aesthetic
appeal: Stanley Cavell on the irreducibility of the first person in
aesthetics and in philosophy Arata Hamawaki; 7. Reading into it or hearing
it out? Cavell on modernism and the art critic's hermeneutical risk Robert
Engelman; 8. Must we sing what we mean?: 'Music discomposed' and philosophy
composed Vincent Colapietro; Part III. Tragedy and the Self: 9. Philosophy
as autobiography: From must we mean what we say? to little did I know Naoko
Saito; 10. The finer weapon: Cavell, philosophy and praise Victor J. Krebs;
11. On Cavell's on Kierkegaard's on authority and revelation-with constant
reference to Austen Kelly Jolley; 12.Tragic Implication Sarah Beckwith; 13.
Gored states and theatrical guises Paul Standis.
what we say? and ordinary language philosophy Sandra Laugier; 2.
Revolutionary uses of Wittgenstein in must we mean what we say? Juliet
Floyd; 3. Actions and their elaboration Jean-Philippe Narboux; 4., Faces of
the ordinary Eli Friedlander; Part II. Aesthetics and the Modern: 5.
Language-games and 'forms of life': Cavell's reading of Wittgenstein and
its relevance to literary studies Greg Chase; 6. Philosophic and aesthetic
appeal: Stanley Cavell on the irreducibility of the first person in
aesthetics and in philosophy Arata Hamawaki; 7. Reading into it or hearing
it out? Cavell on modernism and the art critic's hermeneutical risk Robert
Engelman; 8. Must we sing what we mean?: 'Music discomposed' and philosophy
composed Vincent Colapietro; Part III. Tragedy and the Self: 9. Philosophy
as autobiography: From must we mean what we say? to little did I know Naoko
Saito; 10. The finer weapon: Cavell, philosophy and praise Victor J. Krebs;
11. On Cavell's on Kierkegaard's on authority and revelation-with constant
reference to Austen Kelly Jolley; 12.Tragic Implication Sarah Beckwith; 13.
Gored states and theatrical guises Paul Standis.
Introduction: Part I. Ordinary Language and its Philosophy: 1. Must we mean
what we say? and ordinary language philosophy Sandra Laugier; 2.
Revolutionary uses of Wittgenstein in must we mean what we say? Juliet
Floyd; 3. Actions and their elaboration Jean-Philippe Narboux; 4., Faces of
the ordinary Eli Friedlander; Part II. Aesthetics and the Modern: 5.
Language-games and 'forms of life': Cavell's reading of Wittgenstein and
its relevance to literary studies Greg Chase; 6. Philosophic and aesthetic
appeal: Stanley Cavell on the irreducibility of the first person in
aesthetics and in philosophy Arata Hamawaki; 7. Reading into it or hearing
it out? Cavell on modernism and the art critic's hermeneutical risk Robert
Engelman; 8. Must we sing what we mean?: 'Music discomposed' and philosophy
composed Vincent Colapietro; Part III. Tragedy and the Self: 9. Philosophy
as autobiography: From must we mean what we say? to little did I know Naoko
Saito; 10. The finer weapon: Cavell, philosophy and praise Victor J. Krebs;
11. On Cavell's on Kierkegaard's on authority and revelation-with constant
reference to Austen Kelly Jolley; 12.Tragic Implication Sarah Beckwith; 13.
Gored states and theatrical guises Paul Standis.
what we say? and ordinary language philosophy Sandra Laugier; 2.
Revolutionary uses of Wittgenstein in must we mean what we say? Juliet
Floyd; 3. Actions and their elaboration Jean-Philippe Narboux; 4., Faces of
the ordinary Eli Friedlander; Part II. Aesthetics and the Modern: 5.
Language-games and 'forms of life': Cavell's reading of Wittgenstein and
its relevance to literary studies Greg Chase; 6. Philosophic and aesthetic
appeal: Stanley Cavell on the irreducibility of the first person in
aesthetics and in philosophy Arata Hamawaki; 7. Reading into it or hearing
it out? Cavell on modernism and the art critic's hermeneutical risk Robert
Engelman; 8. Must we sing what we mean?: 'Music discomposed' and philosophy
composed Vincent Colapietro; Part III. Tragedy and the Self: 9. Philosophy
as autobiography: From must we mean what we say? to little did I know Naoko
Saito; 10. The finer weapon: Cavell, philosophy and praise Victor J. Krebs;
11. On Cavell's on Kierkegaard's on authority and revelation-with constant
reference to Austen Kelly Jolley; 12.Tragic Implication Sarah Beckwith; 13.
Gored states and theatrical guises Paul Standis.