Focusing on the Cornish Music and Dance Revival, it investigates the revivalists' claims about Cornwall's cultural distinctiveness and Celtic heritage, both which are presently used as arguments to promote the English county's political status as an independent Celtic nation.
Focusing on the Cornish Music and Dance Revival, it investigates the revivalists' claims about Cornwall's cultural distinctiveness and Celtic heritage, both which are presently used as arguments to promote the English county's political status as an independent Celtic nation.
Lea Hagmann is a lecturer and postdoc researcher in Cultural Anthropology of Music at the University of Bern, where she is also the Director of Studies in World Arts and Music.
Inhaltsangabe
Introduction 1 Cornish Distinctiveness: History and Language 2 Celtic Traces in Cornish Music and Dancing 3 Anglo-Cornish Traditions 4 The Role Models: Cornwall and Circumambient Revival Movements 5 The Cornish Music and Dance Revival: Early Research and Publications 6 Developing and Expanding Cornish Music 7 The Nos Lowen Movement 8 Dissemination, Institutionalisation and the Second Generation 9 Conclusion
Introduction 1 Cornish Distinctiveness: History and Language 2 Celtic Traces in Cornish Music and Dancing 3 Anglo-Cornish Traditions 4 The Role Models: Cornwall and Circumambient Revival Movements 5 The Cornish Music and Dance Revival: Early Research and Publications 6 Developing and Expanding Cornish Music 7 The Nos Lowen Movement 8 Dissemination, Institutionalisation and the Second Generation 9 Conclusion
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