This volume takes as its focus the process of seeing-to look closely, remaining true to the object, but also to see widely, from multiple subjective stances and diverse bodily engagements from walking to dreaming, from glancing to looking askance, and hypnotic stares, and to see beyond the visible.
This volume takes as its focus the process of seeing-to look closely, remaining true to the object, but also to see widely, from multiple subjective stances and diverse bodily engagements from walking to dreaming, from glancing to looking askance, and hypnotic stares, and to see beyond the visible.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Pika Ghosh teaches South Asian art at Haverford College, Pennsylvania, USA. Pushkar Sohoni is Associate Professor at the Indian Institute of Science Education and Research (IISER) Pune, India.
Inhaltsangabe
List of Illustrations List of Contributors Acknowledgements Preface by Monica Juneja Acknowledgements 1 Introduction: Reading Monuments and Seeing Texts: Michael W. Meister and the Opening of Eyes PIKA GHOSH AND PUSHKAR SOHONI PART I Seeing and Knowing 2 Region, Style, Idiom, and Ritual in History: Michael W. Meister on the Study of Jain Art JOHN E. CORT 3 Conversations with Michael Meister ROMILA THAPAR 4 Churning the Object: Michael W. Meister as Manth na DARIELLE MASON 5 Reminiscence GIEVE PATEL PART II Style and Idiom: Classification and Complexity 6 Meister Purana in Modern Indian Art AJAY SINHA 7 Squaring a Circle: Design and Construction in the Temple of Anwa PUSHKAR SOHONI PART III Formal Metamorphoses and Mutability of Meaning 8 Liberating Migrations: On the Trail of Jaina Temples in Medieval Central India TAMARA I. SEARS 9 Paper Pr s das NACHIKET CHANCHANI PART IV Vernacular Craft and the Rhetoric of Re- Making 10 On Jaidev Baghel's Practice: Casting Aside the Art / Craft Divide KATHERINE HACKER 11 Chamba and the 'Painterly' Vision MANDAVI MEHTA PART V Image Iconopraxis and Iconoplasty 12 Nonhuman Animals on Unlabelled Sculptures of the Bharhut Stupa Railing CHANDREYI BASU 13 Stitching Spectacles: A Visual Culture of Bodily Prowess and Muscular Nationalism in Colonial Bengal PIKA GHOSH Michael W. Meister's Publications Chakshudana (Opening the Eyes) Index
List of Illustrations List of Contributors Acknowledgements Preface by Monica Juneja Acknowledgements 1 Introduction: Reading Monuments and Seeing Texts: Michael W. Meister and the Opening of Eyes PIKA GHOSH AND PUSHKAR SOHONI PART I Seeing and Knowing 2 Region, Style, Idiom, and Ritual in History: Michael W. Meister on the Study of Jain Art JOHN E. CORT 3 Conversations with Michael Meister ROMILA THAPAR 4 Churning the Object: Michael W. Meister as Manth na DARIELLE MASON 5 Reminiscence GIEVE PATEL PART II Style and Idiom: Classification and Complexity 6 Meister Purana in Modern Indian Art AJAY SINHA 7 Squaring a Circle: Design and Construction in the Temple of Anwa PUSHKAR SOHONI PART III Formal Metamorphoses and Mutability of Meaning 8 Liberating Migrations: On the Trail of Jaina Temples in Medieval Central India TAMARA I. SEARS 9 Paper Pr s das NACHIKET CHANCHANI PART IV Vernacular Craft and the Rhetoric of Re- Making 10 On Jaidev Baghel's Practice: Casting Aside the Art / Craft Divide KATHERINE HACKER 11 Chamba and the 'Painterly' Vision MANDAVI MEHTA PART V Image Iconopraxis and Iconoplasty 12 Nonhuman Animals on Unlabelled Sculptures of the Bharhut Stupa Railing CHANDREYI BASU 13 Stitching Spectacles: A Visual Culture of Bodily Prowess and Muscular Nationalism in Colonial Bengal PIKA GHOSH Michael W. Meister's Publications Chakshudana (Opening the Eyes) Index
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