Uta Hagen, internationally renowned actress and author, has writen a major new book that is sure to be welcomed in the field of acting. Actor's World covers voice techniques, timing, and rhythm. It teaches how to establish the identity of a character, how to use physical senses and inner objects, and much more. The actress and teacher guides actors in developing their art, covering such aspects as voice techniques, timing, rhythm, and including exercises to correct problems.
Uta Hagen, internationally renowned actress and author, has writen a major new book that is sure to be welcomed in the field of acting. Actor's World covers voice techniques, timing, and rhythm. It teaches how to establish the identity of a character, how to use physical senses and inner objects, and much more.The actress and teacher guides actors in developing their art, covering such aspects as voice techniques, timing, rhythm, and including exercises to correct problems.
Uta Hagen (1919–2004) was a German American actress and theatre practitioner who made her Broadway debut in 1938. She starred in over twenty Broadway productions, including Othello, A Streetcar Named Desire, and Who's Afraid of Virginia Woolf? The recipient of the National Medal of Honor for the Arts in 2003 and winner of three Tony Awards, including the Lifetime Achievement Award, Hagen taught for over forty years at the HB Studio in New York and was one of the most renowned and respected acting teachers of the 20th century.
Inhaltsangabe
CONTENTS Acknowledgments, an Apology, and a Little Advice Prologue: What Does It Take? Part One: The Actor 1. The Actor's World 2. The Actor's Goals 3. The Actor's Techniques The Outer Techniques The Human Techniques Part Two: The Human Techniques 4. The Self 5. Transference 6. The Physical Senses 7. The Psychological Senses 8. Animation The Body The Mind Inner Objects Listening Talking 9. Expectation Part Three' The Exercises 10. The Exercises General Purpose The Six Steps For the Presentation 11. The First Exercise: Physical Destination For The Presentation 12. The second Exercise: The Fourth Side Communication Primary Use of the Fourth Side Subliminal Use of the Fourth Side For the Presentation 13. The Third Exercise: changes of self Part I For the Presentation Part II For The Presentation 14. The Fourth Exercise: Moment to Moment For the Presentation 15. The Fifth Exercise: Re-Creating Physical Sensations Part I For the Presentation Part II For the Presentation 16. The Sixth Exercise: Bringing the Outdoors On Stage For the Presentation 17. The Seventh Exercise: Finding Occupation While Waiting For the Presentation 18. The Eighth Exercise: Talking to Yourself For the Presentation 19. The Ninth Exercise: Talking to the Audience For the Presentation 20. The Tenth Exercise: Historical Imagination Style Historical Imagination For the Presentation 21. Combinations Part Four: The Role 22. The Play 23. Homework and the rehearsal The Rehearsal 24. Scoring the Role 1. Who Am "I"? 2. What Are "My" Circumstances? 3. What Are "My" Relationships? 4. What Do "I" Want? 5. What's in "My" Way? 6. What Do 'I' Do to Get What "I" Want? Epilogue For the Teacher Index
CONTENTS Acknowledgments, an Apology, and a Little Advice Prologue: What Does It Take? Part One: The Actor 1. The Actor's World 2. The Actor's Goals 3. The Actor's Techniques The Outer Techniques The Human Techniques Part Two: The Human Techniques 4. The Self 5. Transference 6. The Physical Senses 7. The Psychological Senses 8. Animation The Body The Mind Inner Objects Listening Talking 9. Expectation Part Three' The Exercises 10. The Exercises General Purpose The Six Steps For the Presentation 11. The First Exercise: Physical Destination For The Presentation 12. The second Exercise: The Fourth Side Communication Primary Use of the Fourth Side Subliminal Use of the Fourth Side For the Presentation 13. The Third Exercise: changes of self Part I For the Presentation Part II For The Presentation 14. The Fourth Exercise: Moment to Moment For the Presentation 15. The Fifth Exercise: Re-Creating Physical Sensations Part I For the Presentation Part II For the Presentation 16. The Sixth Exercise: Bringing the Outdoors On Stage For the Presentation 17. The Seventh Exercise: Finding Occupation While Waiting For the Presentation 18. The Eighth Exercise: Talking to Yourself For the Presentation 19. The Ninth Exercise: Talking to the Audience For the Presentation 20. The Tenth Exercise: Historical Imagination Style Historical Imagination For the Presentation 21. Combinations Part Four: The Role 22. The Play 23. Homework and the rehearsal The Rehearsal 24. Scoring the Role 1. Who Am "I"? 2. What Are "My" Circumstances? 3. What Are "My" Relationships? 4. What Do "I" Want? 5. What's in "My" Way? 6. What Do 'I' Do to Get What "I" Want? Epilogue For the Teacher Index
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