In the richly interdisciplinary study, Challenging Addiction in Canadian Literature and Classrooms, Cara Fabre argues that popular culture in its many forms contributes to common assumptions about the causes, and personal and social implications, of addiction.
In the richly interdisciplinary study, Challenging Addiction in Canadian Literature and Classrooms, Cara Fabre argues that popular culture in its many forms contributes to common assumptions about the causes, and personal and social implications, of addiction. Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Cara Fabre is an assistant professor in the Department of Women’s and Gender Studies at the University of Windsor.
Inhaltsangabe
Introduction: Reading and Teaching Addiction as Social Suffering Chapter 1: Ideological Tropes of Contemporary Addiction Narratives Chapter 2: Poverty, Individualism, and the Meaningful Uses of Alcohol and Drugs in Christy Ann Conlin’s Heave and Heather O’Neill’s lullabies for little criminals Chapter 3: Anorexia and the Production of Economically Oriented Subjects in Ibi Kaslik’s Skinny and Kevin Patterson’s Consumption Chapter 4: Dismantling the Myth of the Drunken Indian through Beatrice Culleton Mosionier’s In Search of April Raintree and Eden Robinson’s Monkey Beach Conclusion: From Innocence to Accountability Endnotes Bibliography
Introduction: Reading and Teaching Addiction as Social Suffering Chapter 1: Ideological Tropes of Contemporary Addiction Narratives Chapter 2: Poverty, Individualism, and the Meaningful Uses of Alcohol and Drugs in Christy Ann Conlin’s Heave and Heather O’Neill’s lullabies for little criminals Chapter 3: Anorexia and the Production of Economically Oriented Subjects in Ibi Kaslik’s Skinny and Kevin Patterson’s Consumption Chapter 4: Dismantling the Myth of the Drunken Indian through Beatrice Culleton Mosionier’s In Search of April Raintree and Eden Robinson’s Monkey Beach Conclusion: From Innocence to Accountability Endnotes Bibliography
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