This incisive new study demonstrates how Columbian writer Manuel Zapata Olivella’s novel Changó el gran putas (1983) and Brazilian-born Ana Maria Gonçalves’ saga Um defeito de cor (2006) transcend Paul Gilroy’s paradigm of the Black Atlantic to show revolutions, communities, and femininities that prophesy a just “New World.”
This incisive new study demonstrates how Columbian writer Manuel Zapata Olivella’s novel Changó el gran putas (1983) and Brazilian-born Ana Maria Gonçalves’ saga Um defeito de cor (2006) transcend Paul Gilroy’s paradigm of the Black Atlantic to show revolutions, communities, and femininities that prophesy a just “New World.” Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
JOHN T. MADDOX IV is an assistant professor of Spanish and African American studies at the University of Alabama at Birmingham.
Inhaltsangabe
Introduction: This Book, Manuel Zapata Olivella, and Ana Maria Gonçalves a Manuel Zapata Olivella (1920-2004) b Zapataolivellismo i The U.S. Context ii The Latin American Context c Ana Maria Gonçalves (b.1970) d The Bourgeoning Criticism on Ana Maria Gonçalves e Changó and Defeito: Summaries i Changó el gran putas (1983) ii Um defeito de cor (2006) 1 Myth, Literature, and History in Zapata a Muntu, Nuevo Muntu, and Changó's Curse i Influences ii Placide Tempels and the Muntu iii The Curse b The Origin Myth of Benkos Bioho 2 Afro-Brazil in Defeito and Changó a Luís Gama: History, Myth, and Literature b Luísa Mahin: From Poetry to History c Quilombos in Changó i Aleijadinho and Zumbi d Quilombos and Terreiros of Defeito i Gender and Myth in Dahomey e Conclusion 3 Double Consciousness and Nation in Gilroy and Zapata a The Black Atlantic and the Nuevo Muntu i The Black Atlantic: Summary ii After The Black Atlantic iii Representative Critics of Gilroy in the Anglophone Tradition b Du Bois in Changó i Zapata's Du Bois ii Double Consciousness iii Music, Orality, and the Sea iv The African Diaspora is part of a New World History beyond the Nation c. Zapata, Precursor of Today's Latin Americanist Critics of Gilroy 4 Women, Gender, and the Nuevo Muntu a The Black Atlantic from an Afro-Brasileira's Point of View i. Domingos Álvares and the Black Atlantic Kingdom of Dahomey ii. Gonçalves and Antônio Olinto's Black Atlantic iii. Luís Gama's Brazil in the Black Atlantic b Rape in the Novels of Zapata and Gonçalves i. Sons of God and the She-Devil ii. Mother Africa iii. Gonçalves's Raw Realism of Rape c Changó / Santa Bárbara and Queer Characters d Agne Brown and the Apocalypse Conclusion: The Nuevo Muntu Today and Tomorrow a El Putas, U.S.A. b Nuevo Muntu History and Gonçalves's Journalism c Afrofuturism i Brazil ii Latinx-futurism iii Ana Maria Gonçalves Acknowledgments Bibliography
Introduction: This Book, Manuel Zapata Olivella, and Ana Maria Gonçalves a Manuel Zapata Olivella (1920-2004) b Zapataolivellismo i The U.S. Context ii The Latin American Context c Ana Maria Gonçalves (b.1970) d The Bourgeoning Criticism on Ana Maria Gonçalves e Changó and Defeito: Summaries i Changó el gran putas (1983) ii Um defeito de cor (2006) 1 Myth, Literature, and History in Zapata a Muntu, Nuevo Muntu, and Changó's Curse i Influences ii Placide Tempels and the Muntu iii The Curse b The Origin Myth of Benkos Bioho 2 Afro-Brazil in Defeito and Changó a Luís Gama: History, Myth, and Literature b Luísa Mahin: From Poetry to History c Quilombos in Changó i Aleijadinho and Zumbi d Quilombos and Terreiros of Defeito i Gender and Myth in Dahomey e Conclusion 3 Double Consciousness and Nation in Gilroy and Zapata a The Black Atlantic and the Nuevo Muntu i The Black Atlantic: Summary ii After The Black Atlantic iii Representative Critics of Gilroy in the Anglophone Tradition b Du Bois in Changó i Zapata's Du Bois ii Double Consciousness iii Music, Orality, and the Sea iv The African Diaspora is part of a New World History beyond the Nation c. Zapata, Precursor of Today's Latin Americanist Critics of Gilroy 4 Women, Gender, and the Nuevo Muntu a The Black Atlantic from an Afro-Brasileira's Point of View i. Domingos Álvares and the Black Atlantic Kingdom of Dahomey ii. Gonçalves and Antônio Olinto's Black Atlantic iii. Luís Gama's Brazil in the Black Atlantic b Rape in the Novels of Zapata and Gonçalves i. Sons of God and the She-Devil ii. Mother Africa iii. Gonçalves's Raw Realism of Rape c Changó / Santa Bárbara and Queer Characters d Agne Brown and the Apocalypse Conclusion: The Nuevo Muntu Today and Tomorrow a El Putas, U.S.A. b Nuevo Muntu History and Gonçalves's Journalism c Afrofuturism i Brazil ii Latinx-futurism iii Ana Maria Gonçalves Acknowledgments Bibliography
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