The Weimar Republic is often seen as an era of progress for the arts, but strands of pessimism and conservatism also developed rapidly. In this cultural atmosphere, music and musical scholarship could provide forms of protest and resistance to modernity. Attfield's concentration on continuity challenges the received historiography of this period.
The Weimar Republic is often seen as an era of progress for the arts, but strands of pessimism and conservatism also developed rapidly. In this cultural atmosphere, music and musical scholarship could provide forms of protest and resistance to modernity. Attfield's concentration on continuity challenges the received historiography of this period.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Nicholas Attfield holds a BMus from King's College, London and an MSt and DPhil from St. Catherine's College, University of Oxford, the latter with a graduate year as Procter Visiting Fellow at Princeton University. In 2007 he was DAAD Michael Foster Fellow at Humboldt-Universität, Berlin, before taking up a British Academy Postdoctoral Fellowship at Oxford, with three months as Visiting Scholar at the Center for European Studies, Harvard University. Former posts include Lectureships in Music at Worcester College and Christ Church, Oxford, and a Teaching Fellowship in Music at Edinburgh University.
Inhaltsangabe
* Introduction: Weimar Culture and its Others * 1: Music and the Idea of 'Conservative Revolution' * 2: 'Sympathie mit dem Tode': Thomas Mann, Hans Pfitzner, and the Further Reflections of a Non-Political Man * 3: 'Innerer Betrachtung gewidmet': Alfred Heuss, the Zeitschrift für Musik, and the Music Journal as Community * 4: 'Der alte treue Meister Antonius': Mysticism, Nation, and the Weimar Bruckner Cult * 5: 'Eine neue, edle deutsche Jugendkultur': August Halm, Gustav Wyneken, and the Question of Leadership * Epilogue: Working Towards the Third Reich * Appendix: Transcription and Translation of Paul Hindemith's letter to Alfred Heuss, February 1923
* Introduction: Weimar Culture and its Others * 1: Music and the Idea of 'Conservative Revolution' * 2: 'Sympathie mit dem Tode': Thomas Mann, Hans Pfitzner, and the Further Reflections of a Non-Political Man * 3: 'Innerer Betrachtung gewidmet': Alfred Heuss, the Zeitschrift für Musik, and the Music Journal as Community * 4: 'Der alte treue Meister Antonius': Mysticism, Nation, and the Weimar Bruckner Cult * 5: 'Eine neue, edle deutsche Jugendkultur': August Halm, Gustav Wyneken, and the Question of Leadership * Epilogue: Working Towards the Third Reich * Appendix: Transcription and Translation of Paul Hindemith's letter to Alfred Heuss, February 1923
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