Challenging the Modern - Attfield, Nicholas (Lecturer in Music, University of Birmingham)
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The Weimar Republic is often seen as an era of progress for the arts, but strands of pessimism and conservatism also developed rapidly. In this cultural atmosphere, music and musical scholarship could provide forms of protest and resistance to modernity. Attfield's concentration on continuity challenges the received historiography of this period.

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Produktbeschreibung
The Weimar Republic is often seen as an era of progress for the arts, but strands of pessimism and conservatism also developed rapidly. In this cultural atmosphere, music and musical scholarship could provide forms of protest and resistance to modernity. Attfield's concentration on continuity challenges the received historiography of this period.
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Autorenporträt
Nicholas Attfield holds a BMus from King's College, London and an MSt and DPhil from St. Catherine's College, University of Oxford, the latter with a graduate year as Procter Visiting Fellow at Princeton University. In 2007 he was DAAD Michael Foster Fellow at Humboldt-Universität, Berlin, before taking up a British Academy Postdoctoral Fellowship at Oxford, with three months as Visiting Scholar at the Center for European Studies, Harvard University. Former posts include Lectureships in Music at Worcester College and Christ Church, Oxford, and a Teaching Fellowship in Music at Edinburgh University.