Anthropologists and historians have shown us that 'male' and 'female' are variously defined historically and cross-culturally. The contributions to this volume focus on the voluntary and involuntary, temporary or permanent transformation of gender identity. Overall, this volume provides powerful and compelling illustrations of how, across a wide range of cultures, processes of gender transformation are shaped within, and ultimately constrained by, social and political context. From medical responses to biological ambiguity, legal responses to cases brought by transsexuals, the historical role…mehr
Anthropologists and historians have shown us that 'male' and 'female' are variously defined historically and cross-culturally. The contributions to this volume focus on the voluntary and involuntary, temporary or permanent transformation of gender identity. Overall, this volume provides powerful and compelling illustrations of how, across a wide range of cultures, processes of gender transformation are shaped within, and ultimately constrained by, social and political context. From medical responses to biological ambiguity, legal responses to cases brought by transsexuals, the historical role of the eunuch in Byzantium, the social transformation of gender in Northern Albania and in the Southern Philippines, to North American 'drag' shows, English pantomime and Japanese kabuki theatre, this volume offers revealing insights into the ambiguities and limitations of gender transformation.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Alison Shaw is a Senior Research Fellow at the University of Oxford, Department of Public Health. Her research interests include medical anthropology, ethnicity, kinship and social aspects of genetics. Her publications include Kinship and Continuity: Pakistani families in Britain (Harwood/Routledge 2000); A Pakistani Community in Britain (Oxford: Blackwell 1888) and Get by in Hindi and Urdu (1989 BBC Books).
Inhaltsangabe
List of illustrations Preface Shirley Ardener Chapter 1. Changing sex and bending gender: an introduction Alison Shaw * Defining sex and gender * Changing bodily sex * Long-term gender transformations * Women in transformed gender roles * Women disguised as men * Women with 'manly' attributes, and the issue of sexuality * Men in transformed gender roles * Temporary gender transformations * Women playing men on the stage * Men playing women on the stage * Conclusion Chapter 2. Is it a boy, or a girl? The challenges of genital ambiguity Alison Shaw * Intersex conditions * Reactions to intersex births * Botched pots, unnatural horrors and supernatural blessings * 'Correcting' intersex infants * Lessons from the Dominican Republic * Conclusions and implications Chapter 3. Why should biological sex be decisive? Transsexualism before the European Court of Human Rights Marie-Bénédicte Dembour * The Convention * The cases * Typical facts * The Court's reasoning in transsexual cases * Judge Martens' critique of 'Biological Sex is Decisive' * A false positive * The denial of legal fatherhood * A tightening majority * Victory at last * The 'normalisation' of transsexual human rights issues * Conclusion Chapter 4. Two views on the gender identity of Byzantine eunuchs Shaun Tougher * Eunuchs * Eunuchs in Byzantium * The Image of eunuchs * The texts: Claudian and Theophylact * The negative view: Claudian's In Eutropium (I and II) * The positive answer: Theophylact's In Defence of Eunuchs * A comparison * Conclusion Chapter 5. The third sex in Albania: an ethnographic note Roland Littlewood and Antonia Young * The historical setting * 'A woman is a sack made to endure': gender and the customary law * Sworn virgins * Three into two Chapter 6. Living like men, loving like women: tomboi in the Southern Philippines Mark Johnson * The locality * Ethnographic encounters with tomboi in the Southern Philippines * Living 'like men' * Loving 'like women' * 'Women who do bad things': hegemonic masculinity and compulsory heterogender/sexuality * The question of tomboi likeness and being Chapter 7. One of the gals who's one of the guys: men, masculinity and drag performance in North America Fiona Moore * Drag as an expression of masculinity * Dragged up on deck: the setting * More man than you'll ever be: drag as gay male art form * Rocky Horror? Straight men and drag * Passing women: the views of performers * Masculinity, sexuality and liminality: discussion and conclusion Chapter 8. Male dames and female boys: cross-dressing in the English pantomime Shirley Ardener * English vulgar comedy * A potted history of pantomime * Story lines * Dames * Dress and make-up * Women, drag and female impersonators * Principal Boys * Commentary Chapter 9. Cross-dressing on the Japanese stage Brian Powell * Female actors * Male actors * Two contrasting onnagata * Takarazuka * Emergence of the actress in Japanese theatre culture * Change and changelessness Notes on contributors Index
List of illustrations Preface Shirley Ardener Chapter 1. Changing sex and bending gender: an introduction Alison Shaw * Defining sex and gender * Changing bodily sex * Long-term gender transformations * Women in transformed gender roles * Women disguised as men * Women with 'manly' attributes, and the issue of sexuality * Men in transformed gender roles * Temporary gender transformations * Women playing men on the stage * Men playing women on the stage * Conclusion Chapter 2. Is it a boy, or a girl? The challenges of genital ambiguity Alison Shaw * Intersex conditions * Reactions to intersex births * Botched pots, unnatural horrors and supernatural blessings * 'Correcting' intersex infants * Lessons from the Dominican Republic * Conclusions and implications Chapter 3. Why should biological sex be decisive? Transsexualism before the European Court of Human Rights Marie-Bénédicte Dembour * The Convention * The cases * Typical facts * The Court's reasoning in transsexual cases * Judge Martens' critique of 'Biological Sex is Decisive' * A false positive * The denial of legal fatherhood * A tightening majority * Victory at last * The 'normalisation' of transsexual human rights issues * Conclusion Chapter 4. Two views on the gender identity of Byzantine eunuchs Shaun Tougher * Eunuchs * Eunuchs in Byzantium * The Image of eunuchs * The texts: Claudian and Theophylact * The negative view: Claudian's In Eutropium (I and II) * The positive answer: Theophylact's In Defence of Eunuchs * A comparison * Conclusion Chapter 5. The third sex in Albania: an ethnographic note Roland Littlewood and Antonia Young * The historical setting * 'A woman is a sack made to endure': gender and the customary law * Sworn virgins * Three into two Chapter 6. Living like men, loving like women: tomboi in the Southern Philippines Mark Johnson * The locality * Ethnographic encounters with tomboi in the Southern Philippines * Living 'like men' * Loving 'like women' * 'Women who do bad things': hegemonic masculinity and compulsory heterogender/sexuality * The question of tomboi likeness and being Chapter 7. One of the gals who's one of the guys: men, masculinity and drag performance in North America Fiona Moore * Drag as an expression of masculinity * Dragged up on deck: the setting * More man than you'll ever be: drag as gay male art form * Rocky Horror? Straight men and drag * Passing women: the views of performers * Masculinity, sexuality and liminality: discussion and conclusion Chapter 8. Male dames and female boys: cross-dressing in the English pantomime Shirley Ardener * English vulgar comedy * A potted history of pantomime * Story lines * Dames * Dress and make-up * Women, drag and female impersonators * Principal Boys * Commentary Chapter 9. Cross-dressing on the Japanese stage Brian Powell * Female actors * Male actors * Two contrasting onnagata * Takarazuka * Emergence of the actress in Japanese theatre culture * Change and changelessness Notes on contributors Index
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