The study of pre-existing film music is a well-established part of Film Studies, covering 'classical' music and popular music. Generally, these broad musical types are studied in isolation. This anthology brings them together in twelve focused case studies. The first section explores art music; it revolves around the debate on the relation between the aural and visual tracks, and whether pre-existing music has an integrative function or not. The second section is devoted to popular music in film, and shows how very similar the functions of popular music in film are to the supposedly more 'elite' classical music and opera.…mehr
The study of pre-existing film music is a well-established part of Film Studies, covering 'classical' music and popular music. Generally, these broad musical types are studied in isolation. This anthology brings them together in twelve focused case studies. The first section explores art music; it revolves around the debate on the relation between the aural and visual tracks, and whether pre-existing music has an integrative function or not. The second section is devoted to popular music in film, and shows how very similar the functions of popular music in film are to the supposedly more 'elite' classical music and opera.
Phil Powrie is Professor at the Centre for Research into Film & Media, University of Newcastle upon Tyne, UK. Robynn Stilwell is Assistant Professor at the Department of Art, Music and Theater, Georgetown University, USA.
Inhaltsangabe
Contents: Introduction. Part I Pre-existing Classical Film Scores: Ears wide open: Kubrick's music Claudia Gorbman; Classical music ambiguity and film Mike Cormack; The Godfather Part III: film opera and the generation of meaning Lars Franke; High and low culture: Bizet's Carmen and the cinema Ann Davies; Reconsidering Amadeus: Mozart as film music Jeongwon Joe; The troll amongst us Kristi A. Brown. Part II Popular Music and Film: Queer pleasures: the bolero camp and Almodóvar Vanessa Knights; Music electricity and the 'sweet mystery of life' in Young Frankenstein Raymond Knapp; Popular song as leitmotiv in Pulp Fiction and Trainspotting Ronald Rodman; The fabulous destiny of the accordion in French cinema Phil Powrie; Vinyl communion: the record as ritual object in girls' rites-of-passage films Robynn Stilwell; Narrating sound: the pop video in the age of the sampler Timothy Warner. Filmography; Bibliography; Index.
Contents: Introduction. Part I Pre-existing Classical Film Scores: Ears wide open: Kubrick's music Claudia Gorbman; Classical music ambiguity and film Mike Cormack; The Godfather Part III: film opera and the generation of meaning Lars Franke; High and low culture: Bizet's Carmen and the cinema Ann Davies; Reconsidering Amadeus: Mozart as film music Jeongwon Joe; The troll amongst us Kristi A. Brown. Part II Popular Music and Film: Queer pleasures: the bolero camp and Almodóvar Vanessa Knights; Music electricity and the 'sweet mystery of life' in Young Frankenstein Raymond Knapp; Popular song as leitmotiv in Pulp Fiction and Trainspotting Ronald Rodman; The fabulous destiny of the accordion in French cinema Phil Powrie; Vinyl communion: the record as ritual object in girls' rites-of-passage films Robynn Stilwell; Narrating sound: the pop video in the age of the sampler Timothy Warner. Filmography; Bibliography; Index.
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