Chapters of Opera (Esprios Classics) - Krehbiel, Henry Edward
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Henry Edward Krehbiel (March 10, 1854 - March 20, 1923) was an American music critic and musicologist who was music editor for The New York Tribune for more than forty years. Along with his contemporary New York critics Richard Aldrich, Henry Finck, W. J. Henderson, and James Huneker, he was part of the first generation of American critics to establish a uniquely American school of criticism. A critic with a strong bend towards empiricism, he frequently sought out first hand experiences, accounts and primary sources when writing; drawing his own conclusions rather than looking to what other…mehr

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Produktbeschreibung
Henry Edward Krehbiel (March 10, 1854 - March 20, 1923) was an American music critic and musicologist who was music editor for The New York Tribune for more than forty years. Along with his contemporary New York critics Richard Aldrich, Henry Finck, W. J. Henderson, and James Huneker, he was part of the first generation of American critics to establish a uniquely American school of criticism. A critic with a strong bend towards empiricism, he frequently sought out first hand experiences, accounts and primary sources when writing; drawing his own conclusions rather than looking to what other writers had already written. A meliorist, Krehbiel believed that the role of criticism was largely to support music that uplifted the human spirit and intellect, and that criticism should serve not only as a means of taste making but also as a mode to educate the public.
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Autorenporträt
Henry Edward Krehbiel (1854-1923) was an influential American music critic and author, particularly admired for his scholarly approach to music journalism. Born in Ann Arbor, Michigan, Krehbiel's deep-seated passion for music was evident from a young age, despite his initial pursuit of a career in law. He soon switched his focus to music and became a renowned critic and writer. His contributions to the field of music criticism were especially impactful during his tenure at The New York Tribune, where his reports were lauded for their insightful analyses and keen understanding of both music and the cultural milieu in which it evolved. Krehbiel was known for his erudition and the eloquence of his writing style. His expertise was not limited to the affairs of music criticism; he was also a noted musicologist and historian of music. In his book 'Chapters of Opera' (1908), Krehbiel offers a rich exploration into the development and substance of opera as an art form, illustrating his encyclopedic knowledge and deep reverence for the genre. His literary contributions provided readers with a profound understanding of operatic compositions and historic performances. More than just reviews, Krehbiel's writings sought to contextualize music within broader artistic and social narratives, thus extending the reach of his influence to both connoisseurs and the general public alike. His legacy endures through his written works, which continue to engage and inform music scholars and enthusiasts to this day.