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This volume examines Charles Dibdin's extraordinarily wide-ranging career as an actor, lyricist, composer, singer-songwriter, comedian, theatre-manager, journalist, artist, music tutor, speculator, and author, and offers fresh insights into late Georgian culture, society, and politics.
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This volume examines Charles Dibdin's extraordinarily wide-ranging career as an actor, lyricist, composer, singer-songwriter, comedian, theatre-manager, journalist, artist, music tutor, speculator, and author, and offers fresh insights into late Georgian culture, society, and politics.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Oxford University Press (UK)
- Seitenzahl: 276
- Erscheinungstermin: 25. März 2018
- Englisch
- Abmessung: 236mm x 155mm x 25mm
- Gewicht: 680g
- ISBN-13: 9780198812425
- ISBN-10: 0198812426
- Artikelnr.: 48955918
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Oxford University Press (UK)
- Seitenzahl: 276
- Erscheinungstermin: 25. März 2018
- Englisch
- Abmessung: 236mm x 155mm x 25mm
- Gewicht: 680g
- ISBN-13: 9780198812425
- ISBN-10: 0198812426
- Artikelnr.: 48955918
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Oskar Cox Jensen is a Leverhulme Fellow at Queen Mary University of London. From 2013 to 2017 he was a Research Fellow on the ERC-funded project 'Music in London, 1800-1851' at King's College London. His publications include Napoleon and British Song, 1797-1822 (2015), and The London Ballad-Singer, 1792-1864. With David Kennerley, he is preparing a collection on music and politics, c.1780-1850. He has authored various articles and book chapters, as well as several works of fiction. David Kennerley is a Postdoctoral Research Associate on the 'Music in London, 1800-1851' project at King's College London. His research explores the history of sound, music, and performance in Britain in the long nineteenth century, with a particular focus on sonic aspects of gender, and of political culture. His work has been published in the Historical Journal , and has featured in a Bodleian Library exhibition and accompanying book on Staging History, 1780-1840. He is currently completing a monograph on female singers in early nineteenth-century Britain, and, with Oskar Cox Jensen, editing a collection of essays on music and politics, c.1780-1850. Ian Newman is an Assistant Professor of English at the University of Notre Dame, and a fellow of the Keough-Naughton Institute for Irish studies. He specializes in eighteenth- and nineteenth-century British and Irish literature. His work has appeared in Studies in English Literature, European Romantic Review, Eighteenth-Century Studies, and Studies in Romanticism. He is currently completing a book The Tavern: Literature and Conviviality in the Age of Revolution. He is engaged in a digital project tracing the meeting places of the London Corresponding Society and is a founding editor of the Keats Letters Project.
* Foreword
* A Chronology of Charles Dibdin
* 1: Ian Newman, Oskar Cox Jensen, David Kennerley: Introducing Mr
Dibdin
* Part One: Dibdin in Context
* 2: Felicity Nussbaum: Mungo Here, Mungo 'Der': Dibdin and Racial
Performance
* 3: Michael Burden: Dibdin at the Royal Circus
* 4: Katie Osborn: Interlude 1 Dibdin and Robert Bloomfield: Voicing
the Clown in Town
* 5: David O' Shaughnessy: The Detail is in The Devil: Dibdin's
Patriotism in the 1780s
* 6: Judith Hawley: Dibdin and the Dilettantes
* Interlude 2 Dibdin and Jane Austen: Musical Cultures of Gentry Women
* Part Two: Songs in Focus
* 7: Oskar Cox Jensen: 'True Courage': A Song in History
* 8: Harriet Guest: A Motley Assembly: 'The Margate Hoy'
* Interlude 3 Dibdin and John Raphael Smith: Print Culture and Fine Art
* Part Three: Nineteenth-Century Transitions
* 9: Susan Valladares: The Changing Theatrical Economy: Charles Dibdin
the Younger at Sadler's Wells, 1814-19
* 10: Jim Davis: Writing for Actors: The Dramas of Thomas Dibdin
* 11: Isaac Land: Each Song was just like a little Sermon': Dibdin's
Victorian Afterlives
* Afterword: Dibdin's Miscellany
* A Chronology of Charles Dibdin
* 1: Ian Newman, Oskar Cox Jensen, David Kennerley: Introducing Mr
Dibdin
* Part One: Dibdin in Context
* 2: Felicity Nussbaum: Mungo Here, Mungo 'Der': Dibdin and Racial
Performance
* 3: Michael Burden: Dibdin at the Royal Circus
* 4: Katie Osborn: Interlude 1 Dibdin and Robert Bloomfield: Voicing
the Clown in Town
* 5: David O' Shaughnessy: The Detail is in The Devil: Dibdin's
Patriotism in the 1780s
* 6: Judith Hawley: Dibdin and the Dilettantes
* Interlude 2 Dibdin and Jane Austen: Musical Cultures of Gentry Women
* Part Two: Songs in Focus
* 7: Oskar Cox Jensen: 'True Courage': A Song in History
* 8: Harriet Guest: A Motley Assembly: 'The Margate Hoy'
* Interlude 3 Dibdin and John Raphael Smith: Print Culture and Fine Art
* Part Three: Nineteenth-Century Transitions
* 9: Susan Valladares: The Changing Theatrical Economy: Charles Dibdin
the Younger at Sadler's Wells, 1814-19
* 10: Jim Davis: Writing for Actors: The Dramas of Thomas Dibdin
* 11: Isaac Land: Each Song was just like a little Sermon': Dibdin's
Victorian Afterlives
* Afterword: Dibdin's Miscellany
* Foreword
* A Chronology of Charles Dibdin
* 1: Ian Newman, Oskar Cox Jensen, David Kennerley: Introducing Mr
Dibdin
* Part One: Dibdin in Context
* 2: Felicity Nussbaum: Mungo Here, Mungo 'Der': Dibdin and Racial
Performance
* 3: Michael Burden: Dibdin at the Royal Circus
* 4: Katie Osborn: Interlude 1 Dibdin and Robert Bloomfield: Voicing
the Clown in Town
* 5: David O' Shaughnessy: The Detail is in The Devil: Dibdin's
Patriotism in the 1780s
* 6: Judith Hawley: Dibdin and the Dilettantes
* Interlude 2 Dibdin and Jane Austen: Musical Cultures of Gentry Women
* Part Two: Songs in Focus
* 7: Oskar Cox Jensen: 'True Courage': A Song in History
* 8: Harriet Guest: A Motley Assembly: 'The Margate Hoy'
* Interlude 3 Dibdin and John Raphael Smith: Print Culture and Fine Art
* Part Three: Nineteenth-Century Transitions
* 9: Susan Valladares: The Changing Theatrical Economy: Charles Dibdin
the Younger at Sadler's Wells, 1814-19
* 10: Jim Davis: Writing for Actors: The Dramas of Thomas Dibdin
* 11: Isaac Land: Each Song was just like a little Sermon': Dibdin's
Victorian Afterlives
* Afterword: Dibdin's Miscellany
* A Chronology of Charles Dibdin
* 1: Ian Newman, Oskar Cox Jensen, David Kennerley: Introducing Mr
Dibdin
* Part One: Dibdin in Context
* 2: Felicity Nussbaum: Mungo Here, Mungo 'Der': Dibdin and Racial
Performance
* 3: Michael Burden: Dibdin at the Royal Circus
* 4: Katie Osborn: Interlude 1 Dibdin and Robert Bloomfield: Voicing
the Clown in Town
* 5: David O' Shaughnessy: The Detail is in The Devil: Dibdin's
Patriotism in the 1780s
* 6: Judith Hawley: Dibdin and the Dilettantes
* Interlude 2 Dibdin and Jane Austen: Musical Cultures of Gentry Women
* Part Two: Songs in Focus
* 7: Oskar Cox Jensen: 'True Courage': A Song in History
* 8: Harriet Guest: A Motley Assembly: 'The Margate Hoy'
* Interlude 3 Dibdin and John Raphael Smith: Print Culture and Fine Art
* Part Three: Nineteenth-Century Transitions
* 9: Susan Valladares: The Changing Theatrical Economy: Charles Dibdin
the Younger at Sadler's Wells, 1814-19
* 10: Jim Davis: Writing for Actors: The Dramas of Thomas Dibdin
* 11: Isaac Land: Each Song was just like a little Sermon': Dibdin's
Victorian Afterlives
* Afterword: Dibdin's Miscellany