Substantially revised and expanded edition that sheds new light on Stanford's career as composer, conductor and teacher, as well as promoter of opera in English and arranger of Irish folk music.
Substantially revised and expanded edition that sheds new light on Stanford's career as composer, conductor and teacher, as well as promoter of opera in English and arranger of Irish folk music.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
JEREMY DIBBLE is an Emeritus Professor of Music at Durham University where he taught for 30 years. He is the author of C. Hubert H. Parry: His Life and Music (1998), Charles Villers Stanford: Man and Musician (original edition, 2002), Michele Esposito (2010). With the Boydell Press, Dibble has published John Stainer: A Life in Music (2007), Hamilton Harty: Musical Polymath (2013), British Musical Criticism and Intellectual Thought, 1850-1950 (2018) (with Julian Horton) and The Music of Frederick Delius (2021).
Inhaltsangabe
I. Early Influences and Impressions, 1852 1870 1 Dublin, Family and Friends 2 Childhood: Dublin in the 1850s and 1860s II. Formative Years, 1870 1887 3 Cambridge and the Wanderjahre (Leipzig and Berlin, 1870 1876) 4 A Promising Future: The Cambridge University Musical Society, Opera and a Revolution in Church Music (1877 1882) 5 The Royal College of Music (1883 1887): Disappointment and Revival III. Recognition, 1888 1901 6 The Cambridge Professorship: Reform and International Acclaim (1888 1892) 7 Removal from Cambridge, the CUMS Jubilee and the Focus of London (1892 1895) 8 Shamus O'Brien, the Requiem and the Leeds Philharmonic Society (1896 1900) IV. The New Generation, 1901 1914 9 The Leeds Festival, Knighthood and the New Generation (1901 1909) 10 Resignation from Leeds, Patriotism and Political Isolation (1910 1914) V. War and Decline, 1914 1924 11 The War (1914 1918) 12 The Last Years (1918 1924)
I. Early Influences and Impressions, 1852 1870 1 Dublin, Family and Friends 2 Childhood: Dublin in the 1850s and 1860s II. Formative Years, 1870 1887 3 Cambridge and the Wanderjahre (Leipzig and Berlin, 1870 1876) 4 A Promising Future: The Cambridge University Musical Society, Opera and a Revolution in Church Music (1877 1882) 5 The Royal College of Music (1883 1887): Disappointment and Revival III. Recognition, 1888 1901 6 The Cambridge Professorship: Reform and International Acclaim (1888 1892) 7 Removal from Cambridge, the CUMS Jubilee and the Focus of London (1892 1895) 8 Shamus O'Brien, the Requiem and the Leeds Philharmonic Society (1896 1900) IV. The New Generation, 1901 1914 9 The Leeds Festival, Knighthood and the New Generation (1901 1909) 10 Resignation from Leeds, Patriotism and Political Isolation (1910 1914) V. War and Decline, 1914 1924 11 The War (1914 1918) 12 The Last Years (1918 1924)
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